Destructive loops with 8 strings guitar + 3 drums sounds. Lower CUE send, for loop decay.
With Timestretch (hence pitch shift)
Without Timestretch (pitch, wilder)
I’m hesitating between with or without timestretch, maybe both, on 2 tracks.
You’re definitely the brainiac wizard of OT.
Both good and evil side.
This is brilliant!
–
And as I told you earlier, I prefer timestretch on on your sound. It add some kind of digital weirdness that really fits the sound.
2 Likes
Yep didn’t mean anything to do with gain. It was some time ago but I chose a short sample like a 909 snare and made it alternate between two recorders at a quick pace. I don’t have th time now to dig out the OT but it might be a way to get lofi snare sounds 
Of course with the filter in there it will degrade much faster but also in a different flavor IIRC
I’m going to try this, probably tonight. Thanks! Love a bit of destructive looping 
One pattern suffice.
Ex with 2 bars looping (4 bars with 1/2 scale, increase RLEN to 64)
Pattern length = 64
Track 1 :
Flex Recording 1, trig on step 1
Recording 2 on step 32 (sample lock, trig + level to set it)
Recorder 1
RLEN = 32, rec trig step 32, SRC3=CUE
Recorder 2
RLEN = 32, rec trig step 1, SRC3=CUE
Activate CUE (CUE + TRACK or Studio mode)
(For an even more stable volume I added +20/127 on VOL with lfo designer designed with 1 max, depth 20, but it works without, loosing level slowly).
12 Likes
Cool stuff mate!
2 Likes
Sample locking the other recorder buffer 
- I have definitely never thought of that.
l o l
2 Likes