Intention: Use primarily for slapback/short delay and the front of the drive delay sound on the guitar pedalboard. For those duties I like the S-C switch on S (standard). May try it with synth at some point.
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That one is really good. Congrats.
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I have the 900 Pro X and had that same issue last year. I contacted BD and they sent me a link where I can order the original as a replacement. Works great and Iâm glad they built it like that.
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Oh - 3 more to come with USB-C 
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This is a pretty good song!
Can we download this somewhere?
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I actually only sold my old Repro license back in March but I missed it. When I saw there was a sale on I really thought hard about it again (and tried the demo) and I realised what an amazing piece of software this is, probably top 3 all-time favourite VST synths. The FX are just amazing, they turn âjustâ an emulation into something else entirely. Itâs capable of such a wide range of sounds and itâs so easy to program.
I thought maybe I was being stupid as I already have Diva, but they are both just so bloody good and they have enough differences in terms of sound design and sweet spots that Iâm happy to have both.
Also, I got one of those âyou left this in your cart, have another 10% offâ emails and it actually took the price down to marginally less than what I sold it for, so I really couldnât resist at that price.
Itâs basically like I never got rid of it!
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Meris Ottobit X. Intention is to start a new dance craze with itâŚsome kind of glitchy degradation of twerking, hopefully.
I think Iâll know it when I see it.
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wow, this is cracy. did it came out like this after just a few prompts?
edit: missed the part where you answer the question.
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Repro is my no.1 favourite soft synth. I like Diva, but I could never get it to sit in a mix properly.
You know I totally understand what you mean about Diva.
I actually went back to it the last few days and examined some of my favourite patches (specifically from the Automata sound pack I bought) and I realised that it has a really great ability to build these layered sequences which are great for using as the backbone for techno and that sort of thing. I basically want to study the patch design in a bit more detail because I think it has more depth than it first appears.
Some of those patches made me think of Underworld, really driving rhythmic patches that almost sound somewhere between a bassline and a drum loop. Almost DFAM-like.
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I like these pedals and thought about buying them. Is working and dialing a sound in a nice thing to do, or is this a constant menu diving thing.
I didnât like Eventide H9 at all, even though the sound quality was fine
Finally gave in to my curiosity, I blame @mpiecora
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The Meris X pedals have two menu view modes: graphic view (default, with the spinning bubbles) and text view. I only use text view and find it clear, logical, and concise while being comprehensive. If you like to tinker, itâs very enjoyable to use. If you just want to blast through, set parameters, and get things done, it seems well suited to facilitating that without getting bogged down - considering the multi-FX nature of these pedals.
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I notice this post is 2hrs old. Are you crying yet? 
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LOL. No 
Additional ingredients: some prompt wizardry, a clear mental idea of how it should sound and why, some nerd knowledge about music history and genres, some basic music theory (chord progressions, modulation, how harmony carries emotion), and average elektronauts hands-on-experience how production works, how things are achieved and how to prompt compression, air, tape saturation, spring reverbs from your studio assistant I made around 80 versions for each track until I thought - well, letâs get some sleep, oh, it is 5 in the morning already, so, nevermind, no-sleep then Maybe thatâs just hyperfocus. It is also some plus from the AI it invents things I didnât imagine which i need to either clear or embrace (just like within every collab) and it also a very talented studio musician. Acoustic drums are crazy good (all kind of production types guitar based music 60s - now). With electronic drums - well thatâs what we can do better. It really struggles with basic Axis Detroit techno stuff, polymetrics and non-song-structure (or I havenât been successful with it). But Happy Hardcore, Nightcore, Dubstep - thatâs where it really shines - and classic 19th century modulated Kammermusik + Gesang. I havenât uploaded own voice yet. The standard voices are recognizable, no matter how i prompt. Anyway, it is the loop. Things get done. Vision first (is there a term for vision in sound?). Anyway. Yes, excited. And I think I will use the stem and midi export next in hybrid approach (the text is not Suno).
That said: you can prompt really good special interest radio programme that is much better than whatâs on the air with few words and let it invent around it. Ideal for novelty seeking brain structure
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Glad you like it. Havenât thought about it yet. I tend to avoid GEMA, DistroKid etc. for different reasons. Hence YT, not spotify. It is published under BY-NC-SA 4.0 (basically: free for non-commercial stuff and small venues with citation, remix: share alike). Which format would you need (I have it quickly available as HQ mp4 vid with embedded uncompressed PCM (WAV) and as basic not so great mp3 preview now), to find the particular WAV maybe a little more effort since no embedded cover and I was not disciplined when naming the versions, lol. Can also PM me.
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I also had headband coming off. They sent me a new on warranty.
Unfortunately it is only one of the few pieces you are able to repair. Previous generations were much more repairable.
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