Hmm, works feedback resets normally (1.10)
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anything you parameter lock is exempt from “CTRL-ALL” as well if that helps as a workaround in the meantime.
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Works here normally too now. Very strange. Will keep an eye on when it happens. Last time it just kept going while a pattern was playing. Thanks for checking.
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also - if you are running out of space on the track you are using due to 16th patterns you can (potentially) use the NEI and Not-NEI condition instead and put the original condition on a trigless trig on the neighbour track.
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Sure, no problem
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I’m not the first to ask for this but… I’d really like stereo monitoring to happen.
My usual setup is:
2 mono synths
=> into A4 (to benefit from the Reverb/Delay for external synths)
=> into Digitakt
But it makes me lose all the stereo from the A4 and the two other synths.
When I use only the Digitakt and the A4 I go Digitakt into A4 to avoid the issue but it’s a shame that this is not an option on the Digitakt.
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A mode that if one trig is longer than one step in length it would still stay on the same step for the whole length. Its harder to see the structure but a great way to experiment. Even if all 16 trigs on a page were recorded you could still change some of them to be much longer than one step and they would not overlap.
Another request is individual note lengths and velocity in polyphonic recording.
I would like fade in and out - Band pass & Notch filters. Song mode or at least being able to save chained patterns. Auto play for sample preview. Option to delete un-used samples from project. Am sure this stuff has been ask for before but just my 2 cents. Thanks Elektron. Can’t wait for overbridge 2 public beta coming soon. (Next week?)
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i second that
Hello peoples… Adding my +1 to a few suggestions already listed 
One more vote for Scale Per Track, please.
It would really improve on the already stellar capability of length per track.
Another vote for Swing Per Track (or even better, per individual Trig!)
Sometimes you want a mix of swung notes and straight notes. Can it be done?
I’d love it if coarse adjusting Tune made it jump in semi-tone increments!
The encoders are pretty sensitive in general, I think this one in particular
could be greatly improved if the algorithm was refined to more musical intervals.
Pretty please ? Thank you for all that you do. Ok I’m gonna go play now 
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#1 feature for me: an Euclidean sequencer on each MIDI track! Anything that would get more out of MIDI tracks actually, even an arpeggiator would do it
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that’s would be great !
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I’m planning on the Keystep/Rk002 with DUY combo for exactly this
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Monitor mode for the headphone output. Monitor Inputs separately or as a stereo pair (useful when working with a DAW), monitor individual tracks with them muted through the main output as you create, assign the click so that you cant hear it through the main output.
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I can definitely see how an RK002 would do it, thanks a lot ben! How do you plan to use Keystep with this exactly?
+1 for this too!
High cut/low cut per track (like on digitone) would really do it for me.
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Ideally I’d like timing shown on the display.
If that is not possible I’d settle for the tempo button to flash a different colour (green/white) on the first beat compared to the others (red), as I sometimes forget where I am in the pattern when in some modes.
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Oh wow this would be super useful! Playing in mute mode sometimes feels a bit like wandering in the dark.
Gonna be a bit tricky to implement when there’s different track lengths going on though.
I’m sure it was posted here several times already but i cant stress that enough: it really should be possible to record - or at least let through - aftertouch pitch-bend and mod-wheel information when DT is connected to a synth and a midi keyboard … would make my life much easier …
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