Howard’s note. He always knew it was there…
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Finishing a meeting. Queuing this up in Ableton. Will go up to my studio in a bit.
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Say what? Why wouldn’t it be A flat? Not saying you’re wrong but genuinely perplexed.
Fucking music nerds.
I reckon some of you need to get over to Steinwaynaughts with all this tuning talk.
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C & D together “beat” on a piano.
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Thanks 
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Thanks my friend, appreciate!
I might be talking pure shite here but Don’t pianos have an inherent decay to their playing too? Your notes sustain…
That second example is way too loud imo.
I was almost right. In older times H was B and B was Bb in Germany, a long time ago. #offtopic
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With your lack of specifying octaves, I think it’d be worthwhile to start talking about chord voicings:
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It s very simple what I say… when playing more than a note, the sound becomes unclear, unstable, kind of disonant, and it s notes the played notes and also it s not about intentional overdrive distortion like.
No. Some pianos are still playing. 
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Very interesting, but what I am talking about it’s different.
Lol.
Seriously though the strike or attack is always louder. Or?
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Yep, correct. Like a guitar being plucked.
Chronic flaggers, that lot.
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Yes it is.
The solution to your quandry has been answered many times in this thread. Have you tried applying the good advice given? Do you understand what happens when you add one set of harmonics to another inside a closed electronic circuit, compared with an open acoustic string instrument?
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I meant that what I am saying that is happening it s not about intentional overdrive.
The advices I got until now I already know and it didn t solve it.
Just try it on ur polysynth.
Not sure how old your ‘olden times’ are … in the '60s, a family member bought a new instrument (in the UK) marked up that way. We did figure out it was a German thing. Most confusing.
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What synth are you making those sounds with?