The tuning of e.g. DVCO is now 14bit aot 7bit typically
Think pitchbend resolution versus regular CC resolution - there’s 128x more steps (even though those are approximated on screen to decimal)
Typically where the coarse (MSB) is kept in a device sound record there will be the placeholder for the (fine) LSB just in case - that was my recollection on rytm
in any case, there’s probably a lot more to it to factor in, but i don’t think it requires some massive overhaul of how the data is handled internally, but saying that may understate what’s involved - i’d imagine it was on their radar - also for things like delay time you’d think
For the DVCO tuning it’s a game changer as there’s a world of sound in between MSB coarse steps when you’re RingModding/FMing two VCOs
On the flip side, how long has the DT had fine delay adjustment, yet that hasn’t migrated to the Analogs although the snazzy looking envelopes did !?!
The Rytm must not be underestimated imho, the comparison can’t come down to just the availability of a few similar machines - still no doubt that the Syntakt is well spec’d