Introducing Digitakt

News
#4477

Good enough for me, thanks @Ess ! ::crosses fingers for pseudo-phaser notch action::

#4478

No need, just parameter lock it.
(Does have trigless trigs though)

We had to exclude some of those things due to sheer lack of panel space, and also to not have so many sub menus. With hardware you always need to make some trade offs. I believe that we have done a great job of compacting our workflow and making it streamlined while still being a serious production instrument.

9 Likes
#4479

totally man, this thread has become enormous!!!

1 Like
#4480

a mono signal from the DT

#4481

Ok, well there are a few ways to go about it, of course.
See my previous answer:

#4482

notch filter and comb filter
essential

3 Likes
#4483

yeah this thing seems super spot on!

hope that trig-based sampling into RAM will somehow find it’s way in at some point (crosses all fingers & toes)

5 Likes
#4484

What’s the difference between pitch tuning and pitch shift? Sorry if this is obvious to others.

#4485

Pitch shifting doesn’t change tempo/speed.

#4486

Ah, pitch shifting includes timestretch sounds like.

#4487

It uses audio grains too.

#4488

As long as I can tune something by cents rather than just semitones (or like on the OT - smallest is 0.2 semitone), I’m happy :relaxed:

#4489

There is fine tuning on DT apparently.

#4490

I lie awake and say your name
And in my dreams i do the same
Over and over again :sparkling_heart:

2 Likes
#4491

Yep! Two decimal values. Almost all the parameters in the Digitakt are high resolution.

8 Likes
#4492

My favorite part from the DT demos is how nice the sample edit screen looks, and how efficient the workflow appears. It seems to be real nice for chopping up samples. It’s a pity the delay parameters cannot be p-locked though.

3 Likes
#4493

but I think some transient detection would have helped cutting the samples

4 Likes
#4494

Hi Simon, I have a question that just occurred to me but might be a make or break whether I buy the unit.

I will use the digitakt standalone until the point when I go to track out my performance through overbridge so I can mix and master the song.

Now in the superbooth videos it is mentioned that the eight tracks can be streamed over overbridge for recording to a DAW.
Are these 8 mono tracks? Or eight stereo tracks?

If they are mono then we are going to loose that great bus reverb and delay stereo depth when tracking to DAW.

what happens to the reverb and delay when tracking individual tracks via overbridge?

Thanks

1 Like
#4495

Hey Simon! Does the DT have some sort of frequency shifter? To tune drums to the key of the song?

#4496

if this is the case ‘duplicating’ as stated in the manual, then there should be no din-sync at all at THRU, or did i get something wrong?