I agree that familiarization is super important, but I struggle to understand why it would be the most important. More important than the actual headphones? If certain headphones translate to speakers well, what do you have to get familiar with? (Not much. But, not nothing)
It is not impossible to say which headphones are best or at least better for mixing. Frequency response, detail, and distortion can change so much between headphones. Between my Grado SR225s, Beyer DT990s, and LCD-Xs, only the LCD-Xs can handle some songs I love distortion free (Frank Ocean and Earth Boys as an example). My friendâs Sennheisers HD25s are similar to the SR225s, they have a super compressed but fun sound. I like to listen to them sometimes, but I never make important mixing decisions on them.
Imagine trying to mix your beautiful pads with distortion? Just learn to⌠get used to it? (no thank you) Other headphones can solve that problem, but⌠they arenât better?
A thought experiment would be: 1. Draw something that requires decent proportions (like a human face), then 2. Try to draw the same picture again, but this time look at the paper youâre drawing on at a steap angle. You canât perceive the space properly, and it will look off.
That is my feeling when I try to mix with compressed but fun headphones.