yep - I sat down to watch a film (had to move the link above to the appropriate thread) and decided to cast it to the TV - then realised i never knew how much i underestimated the flexibility of the DN in particular in taking it into areas of my sonic interest - really changes my perception (as did the MC) of how much i was needing some well configured FM machines - the walkthrough of the darker corners of its palette really sold it to me
thoroughly enjoyed teh stream front to end and learned a nifty trick wrt the stacking of FX which i will investigate on A4 - super impressed by the potential unlocked by the analog filters and overdrive circuits, i assumed these would be far poorer cousins of the analog equivalents and sort of added frills, but they are really offering a lot to teh overall potential
i’m now a bit confused about how teh Cycles got the reputation for being a bit grittier, there’s a lot of bite and excitement from teh DN voicing
quite an epiphany, the MC put it on my radar, but the stream has completely sold me on its potential - not a glassy pad in sight
a bit gutted that there doesn’t seem to be a way to realtime record soundlocks from the pool as you can with the A4 and AR - has anyone tried doing this with a DN and maybe a keyboard set to Auto channel, whilst browsing pool sounds in live record mode - this is super fast and intuitive on A4
i struggle with the soundlock via step mode workflow - it’d be great if this was possible on the Digitone
Excellent stream and some incredible music too, very relaxed and enjoyable 
i think those ratios masking the third decimal place might drive me totally bonkers though - couldn’t there be a way to have a dot above/below the final digit to indicate non-zero or true zero !
+1 for releasing that hacky screen viewer