Ability to loop the active page of a multi-page sequence. It would make long sequences so much easier to edit.
6 Likes
Also, how is there no slide function like on the OT? Seriously, Elektron, get your crap together. All of your newer machines should have the same damn sequencer functions. Same with individual track swing. Itās like yāall are trying to drive us crazy!
7 Likes
+1 great idea!
simon provides what seems like a good explanation
5 Likes
I meant parameter slide, like doing p-locks on 2 steps and having them slide between each other. Although portamento would be nice, too.
2 Likes
I would love to see a āreverb pre delayā lfo/modulation parameter added to the effects settings of the Digitone (and Digitakt) without using a midi channel/lfo (CC) for it. The reverb really comes alive when modulating the predelay setting.
That would also be a nice addition for the āDelay Timeā
I would love some square modulated delay times to get some nice āpitch shifting effectsā 
Ah well
2 Likes
+1 to PLockāing the Arp.
+1 PLocking FX params.
How do people do triplets without Plocking Arps? My current workaround is to save a version of the sound with and without Arp and PLock the Arp version of that sound to the trigger I want. Seems clunky, but it works ok. Not being able to edit the PLocked voice easily is a bit cramping [literally]
2 Likes
Arp parameters as lfo destinations.
2 Likes
Holy crap, thatās kind of a genius idea.
Just to make sure I understand, hereās an example of what I think youāre saying:
- Sound1 - No arp
- Sound 1.2 - Arp TRU with speed of 6
- Sound 1.3 - Arp CYC with speed of 3
- Sound 1.4 - Arp DWN with speed of 9
Use Sound1 for most of the melodies, then when you want the triplets or crazy āp-lockedā arps, soundlock sounds 2-4 at any given point?
3 Likes
Yup!
2 Likes
yes please
It seems a bit strange that sound locks can change the arp parameters, but they canāt be directly plocked. I would love to not only be able to plock the arp, but also have it as an LFO destinationā¦ because thatās when things can get weird!
6 Likes
We totally need keytracking for the filters. Thereās all that empty space on the 2nd filter page! And more lfos! And an assignable envelope like on the A4.
Got mine today. Gotta put it through its paces to see if Iām gonna keep it.
1 Like
It already exists for the multimode filter:
but itād be nice if it could be set for the base/width filter as well!
3 Likes
Gotcha. Wonder why they didnāt put a knob for easier access.
Another crazy idea. What if, when a parameter was effect by the LFO, you could actually see the parameter moving so you could even more finely tune how far you want the LFO to go? Thatād be dope.
Oh, and MIDI arp. Not sure if Iāve said that yet.
2 Likes
It would be nice to gray out the out of scale notes on the DT keyboard without shifting the whole keys. So if C is not in a scale, it is gray out but the C (step#9) stays at its spot. I am learning music theory so I maybe donāt see the point of changing keys positions.
Example: in the C scale the step 9->16 are the white keys on the keyboard, starting at C. But if you change the scale for aeolian F4, the C became a F, why that? Iād prefer to keep the keyboard as it is.
1 Like
Thought about this. The Filter Keytrack is great, but isnāt it unipolar? I love the A4 is bipolar.
More requests:
- Allow the same note to be triggered one after another without shutting off the note before it.
- Separate clock and transport on/off controls.
- More voices (not even sure if this is possible.
Overbridge is likely to show it , it does on digitakt beta , itās a subtle colour thing on the graphic dial.
On device is nicer though it gets tricky with single colour , low resolution display