Master equalizer or filter or tone control.
6 Likes
Cavernous type or something dark would be really welcome
3 Likes
Deeper integration of scales:
- In the trig note menu !
- transpose of a pattern !
- euclidian
- arp ( if coming )
- harmonic variations. see the T-1 by Torso ?
5 Likes
- Solo
- Solo
- Recognizing sustain loop and rootkey tags embedded in wave files
3 Likes
Since I use Midi alot to control synths and effects pedals I would like to see a third page for Midi tracks where you can define the range of possible CC values to consider the midi specs of that external gear. Encoders and LFOs then would be restricted to the desired range, so you can’t send unsupported values to Midi devices which sometime can lead into unexprected behavior. Performing would be much easier then, because you can simply turn the encoders, without being afaid to turn it too much, especially with very small ranges as 0–4.
Also nice would be, when then CC values would increment/decrement in fixed eight steps or so when you’re pressing the encoders while turning. Now it only jumps between 0 and 127. If you did this by accident while you only tried to change the value form lets say 56 to 64 because this works elsewhere the same way, you getting frustrated quite fast.
3 Likes
Pre defined recording lengths beyond 128 steps. 8 bars isn’t very long for some types of music.
I suggest 16 or 32 bars of predefined recording time.
2 Likes
crossfade is also useful when working in very short loops = “waveforms”, and if xfading implemented correctly we are coming closer to granular engine where crossfade on grains is must.
4 Likes
I’m mostly after a poly sampler mode, not midi control but:
I’d like to select a new Poly One-Shot Machine to be the control brain. When selecting this, you would be prompted to select the additional tracks to be used as voices.
The new voices are devoted to this poly machine so whatever you had on them previously is lost and a copy of the control track shows up by default. Maybe a 3 second hold upon confirming to allocate voices.
The initial poly machine track houses various settings alongside the familiar one shot machine interface.
Additional Settings on the Poly Machine: (maybe on second page)
-
Choose whether or not to slave all voices to the control track (slaved voices are greyed out. Maybe just a small message on each “Poly Slaved to Track3, or wherever your control track is.” )
-
Instead choose to leave all voices independently controllable (each track starts with copy of your control track, but with this option selected, lets you load any sample and start to change any parameters.)
-
Options for various round robin or even unison styles ala digitone. (Think about this for a second… this would also allow you to set up pretty unique multi-triggered and layered drum sounds off a single trig…)
5 Likes
Proper microtonality like 17 or 19 tone system for Persian, Arabic, Balkan intonation or just just intonation or proper EBM microtuning
video link
https://youtu.be/-fewUHlSGLE
Quarter tone accordeon and explanation
https://youtu.be/G5FccCYqKbA
Osmose quarter tone Balkan scale at synth fest
2 Likes
global Mixer, Comp and FX is the thing I really need 
2 Likes
There’s no dedicated Bank button anymore. It’s Fn+Pattern now, and that doesn’t work when navigating UI.
But I’ve found a way: Pressing Left to brings up the a contextual menu and that has an entry called “Select Bank”. Turns out it’s not too bad since it “remembers” the bank you last selected until you reboot.
1 Like
Slice amount that is multiplications of 12. (12, 24, 36, 48) This way chromatic sample chains wrap around nicely and the first slice that plays a C always ends up on a C note, regardless of the octave.
I’m assuming current slice amounts are stored as an enum or an array/list code-wise, and to make things backwards compatible, I wouldn’t mind if 12, 24, 36 and 48 comes after 64 so projects prior to this change don’t break/sound different.
This way when using chromatic chains, we’re not bound to set the root of the Keyboard mode to C1 every time we open it (since when Slice Select=NOTE, first slice is C1, and it wraps around, so in a 16 slice grid, when it wraps around in note E2, we actually hear E, not C -the first slice- again)
8 Likes
Yeah, in general I’d love more wacky options like these even if they were implemented as “filter” types.
A filter isn’t a totally incorrect way of viewing a wave folder at all I suppose.
(As much as I’d want this on DT2, I think ST needs a wavefolder an additional master FX much more than DT2 needs anything rn, heh. )
1 Like
But than we would need 2 filters. Even the comb filter is nice I miss the cutoff when using it.
1 Like
Control All for Modulations = macro ! And a page with all mods depth control per track.
6 Likes
AD envelope page would be really sick with a curve setting for differing degrees of snap. No more stealing that exponential curve from the LFO 
It looks like there is space too.
4 Likes
The possibility to exclude tracks from PERFORM KIT mode (like for CTRL ALL)
4 Likes
Holy cow! I can see its use, but that feels really niche of a request
As I said in a previous post, with the cpu power of current devices like the Digitakt, why should the device sacrifice essential audio tracks, just to be able to play polyphonically? The device should ideally have say upto 24-32 voices of polyphony that can be used, samplers in the 90’s had like 64 voices to use, remind me what year are we in again 
5 Likes