Albums with no filler

Handsome Furs - Face Control. Absolute perfect synth punk album from start to finish

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Well said. A great album puts you under a spell, and you can’t break it until the album’s over.

In this spirit, maybe I can add a couple albums to the big list after all:

  1. Jon Hassell/Farafina, FLASH OF THE SPIRIT
  2. Japan, TIN DRUM
  3. Weather Report, BLACK MARKET
  4. John Fahey, LEGEND OF BLIND JOE DEATH
  5. Eno, SHUTOV ASSEMBLY
  6. Willie Colón, COSA NUESTRA
  7. Charles Mingus, MINGUS AH UM
  8. Thelonious Monk, MONK’s MUSIC
  9. Nortec Collective, TIJUANA SESSIONS, VOLUME 1
  10. Steve Roach, STRUCTURES FROM SILENCE
  11. Bunny Wailer, BLACKHEART MAN
  12. Sufjan Stevens, MICHIGAN

The one-weaker-song-on-the-album rule eliminates most of my favorite artists and albums, including huge swathes of great electronic music. Sigh.

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Some others not mentioned yet:

  • The first three NIN releases. Ok, “broken” is an ep, but still.

  • Amon Tobin’s “Permutations” is solid from beginning to end, too.

  • The Velvet Underground & Nico

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Lots of great albums mentioned here.

Haven’t seen Pink Floyd’s “Wish you were here” and Nirvana’s “Nevermind”. Can’t find a flaw in either of these albums.

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Have a cigar :confused:

Also there’s just not enough material on the album, which feels like kind of a cheat

music has the right to children has been running for 25 years without skipping a track

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To add to many above:
Interpol - Turn On The Bright Lights
Def Leppard - Hysteria
Public Enemy - Fear Of A Black Planet
Genesis - Duke
Aphex Twin - Selected Ambient Works 85-92
One Dove - Morning Dove White
The Orb - UFOrb / Adventures Beyond The Ultraworld
Primal Scream - Screamedelica
Rush - Permanent Waves
Pink Floyd - Animals
Sasha & John Digweed - Northern Exposure series
Sasha - GU Ibiza
GZA / Genius - Liquid Swords
Stewart Walker - Stabiles
Deftones - Ohms / Koi No Yokan
Alice in Chains - Dirt
David Bowie - Young Americans

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Oh hell yeah

blblblblbblblblblblblblblblb heh heh heh heh heh heh heh heh

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^ HARDER THEY COME …. how could I forget it? Goddam, what a great album. Almost more like an EP, considering they recycle 2 songs. “Many Rivers to Cross” and “Pressure Drop” are music to send into space for the aliens to hear, so that they will spare humanity.

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Oh man, you don’t enjoy Have a Cigar? You are a tough nut, sir

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Animals is flawless

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:face_vomiting: Roger’s lyrics are always right on the edge, but the second-hand embarrassment is so bad for me on that one I can’t listen to it for that reason alone.

WYWH always felt like a project with only a couple of real ideas (the Diamond riff, the title track) trying to figure out how to cover up that fact. So it’s kind of a paradigmatic filler project, in my view. It’s helped a lot by its iconic cover art.

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You are a critic’s critic

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For what it’s worth, Roy Harper sang the main album vocal track for Have a cigar. It’s one of only 3 pink floyd songs with a guest singer on lead vocals. There’s a whole story around how neither Roger nor Dave could get a good vocal take and a bunch of arguing ensued. Roy Harper was in the studio for other reasons and the rest is history.

It’s on one of the documentaries I watched (I can’t remember which) and I think you can verify it on wikipedia if it matters. Roger was very pissy about it in reminiscence!

Great song (in my opinion), I love the rubbery feel to the tempo. Anyways just trying to add to the conversation! :facepunch:

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Which is so crazy lol. But let’s be honest—another point against it, in a way. Like, a choice made not for artistic reasons but as a compromise to settle a stalemate between the band’s two vocalists. Like, I don’t put on a Floyd record to hear some rando trying to sound like David Gilmour!

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Actually if I had to guess, it was mostly that Harper was an opportunist, which I can’t be mad at! I think that he jumped at the offer to take a swing at it (which came from the engineer) and knocked it out in one take, I’m sure it had been a long day and I’d assume they continued recording takes afterwards or the following day and ended up on the only thing that wasn’t a point of disagreement, namely the guest take. I don’t know if that’s the whole story but given the tone of the band members in the interviews (separate interviews I might add, because they weren’t speaking at the time) that’s the impression that I got.

Still, to me, fits right into the album and having seen concert takes of the song, I never once questioned that it wasn’t Roger singing.

He does a great job of sounding like the band, no question. But shame on them for making him sing that middle school drivel.

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Muse - Absolution

Shpongle - Nothing Lasts… But Nothing Is Lost

2 solid Memphis classics + 2 westcoastbelters. Feel the darkness by PI is 10/10 too

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