@xidnpnlss Tallin great by the way. Pretty nice warm saturation, cv response seems fine. the differential lin/exp in is overkill at the moment since I’m mostly using the maths as a mod source for now, but will be nice when using other modulators down the road. Form factor and layout is nice too, I think if I end up needing another pair of VCAs for audio signals I might pick up another.
Other stuff:
Since the ES-9 order fell thru, I kind of did a wild card and ended up picking up some stuff from the Leibniz system -> Drezno, Lipsk, Erfurt - no Jena (yet, at least, going to see if anything new at superbooth). I don’t really use bitcrushing all that much in my music, much more interested in pattern/gate generation with it at the moment. Feeding in some envelopes and clocks from my maths corner has resulted in some really cool unpredictable stepped modulations and gate patterns. The visual feedback is really nice too. I didn’t think I would use so many gates as modulation sources but I’m not upset that I have been.
Also, the rest of the XAOC stuff I got (Batumi, Sarajewo) are just super nice sounding. Batumi especially is pretty wowing, by far the best filter I’ve heard in person - really nice effects at high levels, good through the sub octave range which is important for bass/drone work. Would really recommend both, but the Sarajewo in particular is more of a one trick pony.
Metasonix stuff is all great so far, RK2 and RK3 will be mainstays for sure - pretty instantly gratifying and unpredictable mangling capability. Still discovering the potential of RK7 and RK4 as sound sources, but using them to modulate each other and as dual RK3 inputs does really interesting things. Still need to find a proper sequencer. RK6 I’ve found to be the least enticing of the group so far - I prefer stuff that resonates at lower frequencies and opens all the way - but it is cool as a LPG with resonance cranked, and I may learn to like it in the future.
Bastl - I think it’s just because I picked up some of the wildest processors out there (rk2, rk3, belgrad), but the waveshaping potential from the waver, timbre, and dark matter feel a little less enticing. I think if I had more standard VCO’s as a sound palette, that these would make more of a difference. But the other stuff just blows out waveforms so much that I haven’t really needed the additional distortion. Still have found lots of use in the mixing from waver, envelope following of dark matter, and the timbre does sound nice and have a really cool range. I have been thinking of selling/trading these three to consider other tube-based waveform processing.