How are you liking it compared to the Kijimi?
I have a bunch of ancient thick (âhigh endâ) RCA cables from RS that are still good. Keeping them despite an absence of any RCA gear in case I get an RCA mixer or something.
I wish I had picked up the colorful MIDI cables.
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Found a used one in the wild for a Good price. So naturally I snatched it.
Intentions: trying to make a drum machine out of it⌠currently failing
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clearly, you should pick up a Radio Shack Electronic Reverb to go with them!
connections are RCA only. and it sounds way better than youâd think.
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The xerxes? They are both really good, sound completely different. The kijimi modulation capabilities are great and you can get some really experimental things happening. The xerxes filter is a little more colorful in my opinion, guess thatâs a given considering itâs switchable.
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I miss that one dearly!
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Maybe this is frowned upon here to a degree but Iâve bought some simple gear to help me lower the friction around making YouTube videos for topics Iâm passionate about. I often feel like itâs too much hassle and messy to bring out the camera and mic etc, so now I made a effort to make the setup a bit more permanent.
So I got a camera stand, a mic arm and a few led lights.
The idea is that with a more permanent setup that doesnât force me to balance tripods all over the desktop, I hope to publish some of the videos that Iâve been sitting on for quite a while now (MPC Live 2 vs Push 3 Standalone, Polyend Tracker+ vs Tracker Mini, etc) on the channel. And of course all the jams in between these other forms of content will also be easier to record now.
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I hope you video recorded that undressing of the screen.
Iâm actually a little blown away by how good this thing sounds, especially with some subtle sprinkling of a Midiverb2. Not bad for $340.
This plus the Toraz AS-1, makes for a nice lead/pad/bass combo.
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This was my first reverb unit. I miss Radio Shack / Tandy. 
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Not with me. Subbed and looking forward to checking out the videos.
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this arrives today / time to get my soldering iron out.
itâll replace my noodlebox which i havenât really jived with since i bought it. all of my âminorâ sequencers (e.g. t1, carbon, ndlr) feed into both a mm and ot.
hoping to also use the loopa as a more portable /conventional sequencer away from the studio. weâll see how it works out ÂŻâ \â _â (â ăâ )â _â /â ÂŻ
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Happy with this - got a decent price and seems to be all working as expected.
Make beats is the intention, without a touch screen in sightâŚ
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A Stam SA-76ADG 1176 type compressor and an XLR patchbay for the preamp rack.
Intentions: to compress bass, guitar, vox, and percussion on the way into Ableton.
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Definitely interested in seeing what you do with this. Have yet to see someone make use of it in a way that justifies the misguided GAS I had for it before it was made available to the public
I donât know if itâs the wavefolder or the gain staging/overdrive, but I have been obsessed with the tone from the qunâs synth engine since I first heard it
The Missing Reels demo track still blows me away:
I donât know what keeps holding me back from buying it. I think I feel like the complicated structure and form factor would prevent me from integrating it into my existing setup practically, but it would still be very fun and powerful as a looper/granualr tool, synth away from home
&
Latest purchase:
SQ-80
8 bit grit with analog sheen
One of the best synths I have heard in my life. Such a satisfying sound. The waves sound organic and dirty through the filter, stacking three waves with all of the available modulation, mixing 3 bandpassed formant waves with AM ring mod between 1 and 2, using sampled transients like pick scrapes and bows for âcrosswaveâ synthesis. And the sequencer, which records the poly aftertouch, is surprisingly very deep. It can sequence 8 midi or audio tracks. I like to use it as a kind of complex midi looper. Did not expect to like this as much as I do
And a DD4 to run it through for even more gritty dusty glitchloops. Also an amazing character and really fun looping effect
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Ive already steered in territory rarely seen with this device. My two cents so far, the granular engine is really boring m, the color engine is awesome!
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Wow! That sounds so crispy
Most people seem to just use the resonator. Which is great, but I feel like the dt2 comb filter is satisfying enough in that department.
Great work
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Updated my Magix Samplitude Pro X Suite software from version 3 to 8. Samplitude was my go-to DAW for several years before switching primarily to Presonus Studio One.
Overall, this is a nostalgic purchase at best, but I do plan to at least mix a few tracks with it for fun.
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Finally found one nearby for a decent price. I was leery of having one sent by mail.
My intentions are to make a little dawless setup with my DT2 & ST and make some trancey techno.
I want to say thatâs me done for GAS for a while but I may still have to get a Hapax
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That boutique is huge!
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fr though itâs a big step up in size from my micromonsta 2
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