dear all,
sorry if this question isn’t exactly elektron related and takes me many words, I really need some advice from people with experience.
I’m working together with a performance artist in the context of contemporary dance for many years now. if covid allows we will be on the road for two months nonstop this year. we will do different projects in different cities and just I don’t know how to manage the transport of all the stuff I need.
until now I was able to carry my equipment as hand luggage, sometimes it was on the edge, but in my experience cabin crews are very generous if you’re friendly.
for many years my setup was a laptop running ableton, soundcard, midi controller, there was still place for shirts und underwear in my back pack. for some projects I added a digitone, it just became more stuff to carry around.
my working method is very “dj style” and I discovered that I prefer to work with dj controllers, first a ddj400 (still small enough) and now a ddj1000. I really enjoy the simplicity, for me it works very well. but it’s huge. I had it with me when I was travelling by train, especially during corona with mask it was exhausting to carry the bags.
I’am looking for a flight case now to take the ddj1000 as checked baggage with me. what is your experience having gear in the hold, is it safe, are there things to consider like fragile stickers?
some airlines allow special luggage like musical instruments, but I never understood how it works and what it really means. I don’t book the tickets by myself, the person who does always tells me she can not find an option to book something like special luggage?
my other concern is the weight, when I read 12 kg extra I start to sweat immediately, you have to go to the airpot, to hotels, to the venues… I guess a flight case without trolley makes no sense at all?
an other option would be to ask the venues to rent a ddj1000 for me.
it may sound ridiculous, but I makes me feel like I am asking for a toy. don’t know why, just makes me feel strange. can you relate or is it just me?
to ask for four new cdjs and mixer is another option, good for travelling but I guess I have to adapt my workflow to some extend. we play at theaters and performance festivals, don’t know if they are happy and used to organise this equipment.
and of course there is the option to strip down everything, going back to work with the ableton set up for this two months. unattractive in terms of creativity but maybe it’s more important to reduce the struggle with travelling. what do you think?
thanks in advance,
boris