extra filter modes would be very nice on the various machines and busses.
already mentioned but I’m really wanting an EQ effect or EQ filter modes.
multisample looping, tried that earlier and was surprised at how barebones the player was, quite a lot of scope for improvement there which I imagine will happen.
some kind of master buss effect would be nice for quick finalising of a track. something like, high shelf, low shelf, mono frequencies with a target freq, perhaps a single dial compressor or saturation. this could fit on a single page. Not sure this would happen but it would certainly make good use of the final effect slot.
Do you think it’s possible for them to be able to make it so that one of the outputs on TV can be swapped to an extra input? It’s one of my biggest let downs after some time with the device. I can’t imagine that many people would need 2 outputs over 2 inputs?
Anyway there are 2 inputs. Mono inputs. Mono should be fine for most uses. -lots of FX pedals have mono in stereo out.
Also there is a small chance that overbridge will enable multi-inputs.
Yeah perform mode seems pretty weird, since it only applies to a single pattern. I’m not sure how it’s intended to be used at all.
It seems it has one small advantage over Memorize+Recall in that if it switches patterns your old pattern is not destructively edited. But it doesn’t seem like it’s very useful for performing with. I’m curious how the designers intended it to be used.
I think performance macros would have been a better use. I haven’t dug into it though but currently for me it’s just accidentally turned on and off occasionally.
When we perform pattern copy/paste, both kit data and sequencer data are copied. However, we cannot copy a track’s preset and sequence at the same time. We can only copy either a preset or a sequence.
Copy/paste works quite differently for patterns and tracks, which looks inconsistent and odd in terms of product design and UX. I’d like the copy/paste functions to be unified between patterns and tracks.
The following functions are missing:
Copy pattern’s kit data without sequencer data
Copy pattern’s sequencer data without kit parameters
Copy track as a whole (track’s preset and track’s sequence)
These features, if introduced, would simplify the process of copying things between different patterns a lot. Currently, it’s a pain.
An audio track machine. A simple machine to record audio to that runs parallel to other tracks and is uninterrupted, and excluded from pattern changes. Similar to the Sonicware SmplTrek and Roland Verselab audio track.
In the Modulation Destination menu for LFOs, it would be great if we could have each destination type clustered into categories (“Filter”, “Amp”, “FX”) instead of a great big long list.
DT2/DN2 have a neat layout where the destination category (filter, amp etc) is on the left of the screen and the individual destination options under that category are set out on the right of the screen (cutoff, resonance, filter env depth etc). It makes it so much faster to navigate.
This would particularly helpful with the Subtracks Machine where there’s a really long list (8 x all destination options) you can send a LFO to. Also with the FX LFOs it’s not always obvious if you’re sending a LFO to a destination in FX slot 1 or FX slot 2.
In the modulation section
PB, AT, MW & BC
please include the VOICE LFO parameters as destinations.
It really threw me off that I couldn’t modulate VOICE LFO depth and speed.
I thought it might be some limitation hence the omission but then upon some RTFM I saw that all VOICE LFO parameters indeed have CC associated to them.
It would be nice if the shaper machine on busses could have a side chain source set to a track so it could easily duck to a kick without having to make changes to the sequencer to match the kick every time. Even better if you could choose a whole subtrack set so if you have multiple kick tracks on one subtrack you can have it react to them all properly. Of course compression ducking is an option but the shaper works very nicely!
