I’m so fascinated by the Octatrack that one didn’t seem like enough. My second OT (mk2 this time) arrived today.
I was getting frustrated by the fact that all my tracks on the OT were “used up” on thru, master, transition trick/longer fixed-length loops, and shorter more experimental variable length flex sampling loops for asynchronous phasing loops. I mean, I love it in this capacity as an on-the-fly external sound manipulator/mixer but It meant I couldn’t dig into the other things the OT was capable of - namely manipulatable compositions using internally stored sounds. I considered getting an AR but I prefer the flexibility of being able to use long stereo samples and the analog synthesis sounds are fine but nothing special to me. So Octatrack dos it is.
The idea is to use one “hub” Octatrack as a glorified DJ mixer/looper that moves and manipulates between two “decks”, one being a small modular going into an A4 mk1 and the other being the “instrument” Octatrack sometimes being fed by my voice and/or guitar. The “instrument” Octatrack would be setup with a bunch of different banks/parts ranging from 808 drum machine to long orchestral bowed sounds and everything between. The hub and instrument OT templates would be an ongoing work in progress but in the end I’d like to have long 2-3 hour sessions where I can just improvise freely without any jarring transition problems.
I’d put the odds at around 60% that it’s just too damn much stuff to keep track of and I just end up going back to a single OT. But that’s why they call it Elektronauts - gotta explore.