Don’t underestimate Bitwig’s wavetable oscillator inside the Grid. And the power of the Grid in general.
I’ve been spending the last few weeks almost exclusively playing around in the Grid and I really think it’s something special. Many of the YT videos on Bitwig focus on complex subjects or how to make massive generative patches etc. That stuff is great and I enjoy it, but I think it doesn’t get enough credit as a more “straightforward” sound design environment.
It’s so quick and easy to drop in a couple of oscillators, a filter, an envelope etc and build very simple patches that sound great. I would especially encourage people to explore the Phase-1 oscillator along with the shaper modules, you can get some very thick/rich/insert-adjective sounds going in no time without going overboard on the patching.
I also realised that the new curve stuff (basically multi-segment envelopes, oscillators and LFOs) are an absolute dream for complex sound design. I’ve been doing DIY DnB drum synthesis and you can be very precise with making your own drums with transient/body/noise components with very precise envelopes, adding distorting and saturation to some parts and not others etc.
I also made some absolutely filthy bass sounds with a couple of oscillators, a bit of FM and some shaping/distortion.
I’m probably preaching to the choir but I’ve realised I can do 90% or more of what is possible in many “premium” VSTs like Pigments, Phase Plant etc with the Grid modules, plus there’s no excess bloat, just the bits I need and nothing else.