Thank you! The guitars are SY TONE, with a low ratio, high feedback and high mod. Then, Mod Env & Filters are shaped so that the typical bass bump of a guitar palm muting appears.
I’ve used two tracks, hard panned, just like real metal guitars. The copy has slightly changes to all parameters. There’s also a mono “bass guitar” track.
It’s a synth, and I think house uses a lot of sampled drums. So I’d be inclined to say you’d be happier with a Digitakt, or another sample-based drum machine.
Much appreciated!
Syntakt only.
Playing with a Swarm.
My first track using the new engines… man that sub oscillator on the swarm engine is heaven… could just listen to it on it own for ages…
Last one from me on fucking about with these new machines…. Totally amazing for deep bass lines, this machine is amazing
not mine. sounds great tho
This sounds much better than the Syntaxt tbh
This sounds good. Weird flat crunch noise vibes
Sounds fantastic!
I love all the videos and beats but the video below was what really made me purchase the syntakt, which will arrive next week, I know I’m setting the bar way to high, but hey, I’m a dreamer
All Syntakt USB into StudioOne, no other processing other than a quick run through Audacity to check levels a bit.
It’s 26 mins, so hang tight, meant to be a set because I want to finally get off my ass and do one. All feedback critical and otherwise accepted. Drums kick in third way in or so otherwise it’s just a drone build up and deconstruct at beginning and end, with of course a surprise twist finale for those that could stay on.
Rhythmic Industrial doodle. With RAW, Syntakt is just ten times more fun.
Direct Audio.
This sort of reminds me of that set that Ben Böhmer played on a hot air balloon in Cappadacia, Turkey.
With a proper mix it’d be the kind of thing one could listen to on repeat.
You know how to structure a track in a way that keeps the listener engaged just by taking away and adding a few things here and there.
Yeah, that view. It must have been a great experience. Cercle has that edge.
Thanks for kind words. I’m not putting a lot of thought into it, just muting/unmuting as n when feels right, maybe all these years listening to Jody Wisternoff mixes at work had an effect. Think it’s why I love just the SY on its own, don’t worry about using all my gear, just focus on making the song.
That said, there’s probably more chance of me playing in a hot air balloon than there is of me being able to properly mix anything…
Just got the Syntakt. Tried to create something dark. Still can’t leave synth pop territory, I guess.
A bit of ambient. Not really good at creating ambient music, hence my desire to explore it. I wanted to push the use of overdrive and… did it.
The new update made me do something with the Syntakt again 
The swam machine is really nice for certain sounds.
my first syntakt take. i’ve had a couple of dreamy days with it and can’t forget still…
