Extra SC track, means you can trigger while the kick isnt actually heared, so the effect on the pad continues. I had a look on the video showcase - featured is the slate control room monitoring - it looks interesting - question is how it compares to sonarworks - not sure if i shell out another 500 quid , allthough the car and club mode is cool, the question is if this could not be emulated with some reverb fx on the low, to simulate the club environment - the exact settings is a different matter though. There is for sure more engineering in this, than my emulation suggestion.
Remapping the APC master Fader to filter the kick, was also a nice tip - so something to gain from this template. I personally have to use Fabfilter L2 for limiting and see it as an essential plugin, as it has better peak detection as Lives build in. (I saw you mention it also in your video.)
Fabfilter Pro Q with seeing the frequency overlaps is also very usefull, i wished abelton Eq8 had this functionality.
Maybe a worthwhile discussion anyway to see what works and what not in a live situation, how many plugins /tracks make sense and are stable while performing. There is also the plugin from Richi Hawtin to save mixer /device settings, etc for total recall.
The referencing plugin seems very good, i will give it a shot. (I bought your template, well worth the money !)
I use soundtoys decapitator for saturation on the master bus, but only mixed like 5% , and filterd out the low frequencys, it has quiet a lot of impact even in these low settings. For sure there are other analogue ways - summing processors - stimmings mojo device etc.
