Note: searched and did not find the original post for this.
Ive been playing with this lately. Generally I hate side chain compression, especially the 4/4 pumping effect.
However, if we take the basic method as shown by @mpiecora
https://youtu.be/7MrusUl-WHE?si=d3FELCzy_9T6gbFR
We can extrapolate from there, and use the LFO as an envelope to duck a filter. Do this with a fast speed and you’ll get a very useful mix tool, clear the initial portion of the bass out of the way so that the front end of the bass drum is not fighting for space.
Example. In my project I have a sample on my OT playing the bassline. I enter trigless trigs on steps where the bass drum hits. Then I enter LFO page, now I dont want a 4/4 pumping effect, I just want to clear some space so the initial transient and weight of the bass drum isnt fighting against bass. This means a short, tight envelope.
My settings, but tweak to taste and individual use case:
LFO destination Filt width
Inverted exp curve.
Mult 64
Trig ONE
Speed, to taste, for the tempo of the current track, its around midway.
Depth max.
Trigless trigs will fire the LFO on the required steps.
Im not actually using the filter for shaping, just using it with the LFO/envelope as a mix tool.
You can also do this with amp vol, or the compressor. But @mpiecora is right, using filter width as the destination sounds better.
Just place a trigless trig where ever you want the envelope to fire.
Im doing this very subtley, just enough to give the kick transient a bit more power. You could go full pump if want, the envelope is very flexible.