Nice man! I’m glad you got things flowing. Those mellow guitar vibes cheered me up, I miss my guitar it’s in storage, should probably go rescue it but it’s been good focusing on OT+Rytm…
Tell your wife the nauts send her love…
Yeah and it’s nice of peeps like @AndreN to help with tutorials, love the “cheap tricks” series title…
Next challenge (if you so accept)
-load the same guitar loop recorder buffer to multiple flexes
-slice/dice/warp/fx/reverse/pitch shift/etc… the flexes. (Use start points for slices, see below)
-make scenes to mix in and out the multiple flexes or warp them further
-after having something going, re-record a new loop into the buffer without stopping the sequencer, enjoy insta-remix action…
Notes on start point remixes
-Start points are better for slicing buffers unless the bug is completely fixed where buffer slices disappear after power cycle, also because they change dynamically with tempo…
-Start points are like slices but are in 128 equal divisions
-On a 64 step pattern:
step 1: strt 0
step 17: strt 32
step 33: strt 64
step 49: strt 96
-In flex setup set len to time and the len parameter on flex playback will control slice length…
-The OT will play remixes while recording if it’s possible, if not it will play correctly once the recording has stopped and the pattern cycles again…
This is because you can’t play a section of a loop that hasn’t been recorded yet…
So if you start point lock a 64 step loop for example with strt 96 on step 1, the OT won’t be able to play it as its recording because it’s targeting a point in the future of the “to be” recording that hasn’t happened yet… If you start locked for example strt 32 on step 18, it will play as its recording…
-rlen 64 is much more reliable playing remixes while your recording the source because the OT has a known length to define the start points… I haven’t fully explored how it works on max…
-Any remix will play in its entirety after recording
-By carefully programming and making sure the OT isn’t trying to play something in the future, and being careful with pitch/rate/maybe some other time based things, you can use a solid record trig instead one-shots and have a continual remix being made as your playing in…