There are ways to fine tune this, and perhaps even eliminate steps. But here’s how I make the crossfader do VERY quick cutting.
Place fader on side A, with a blank “scene 1”
Design an LFO which has maximum level for its entire waveshape.
Assign it to track volume.
Assign LFO2 to LFO1 depth, use the designed LFO shape
Assign LFO3 to LFO2 depth, use the designed LFO shape
Create a “scene 2” which maxes LFO3 depth.
Assign “scene 2” to the opposite side (B) of the fader
What this does is creates a track volume increase which goes from a value of zero quickly to full value with just slight movement toward Scene B.
Creating a “fully on” LFO which affecs the depth of “fully on” a LFO which affect the depth of “fully on” LFO which is assigned to a parameter is the way to “tighten” your crossfader curve so that minute movements will have drastic results. This may even be do-able with fewer LFOs, but it’ll take some research.
