Indeed, this is drifting off topic. To bring it back to the topic of MPC, it seems that just about the only step you save with the MPCās export to Ableton feature is having to name your tracks manually and setting the master tempo. Other than that, itās just like exporting audio stems and dragging them into a new project manually in any other DAW.
So in conclusion, Iād say that the Ableton export feature was a bit disappointing. It would have been more useful if it would automatically create clips for each sequence of the MPC project.
Iāll take the more Ableton-specific questions to a better thread. Thanks all!
Edit: I saw your note about not being respectful towards others and just want to say that this was absolutely not my intention. My apologies.
I donāt mind that the question of how best to export oneās MPC project to an Ableton Live project came up.
Thanks to those who responded with useful info. Iām taking notes!
Elsewhere, Iāve seen advice to move/copy/whatever your MPC standalone project to the MPC (desktop) software⦠then run MPC Software instances as plugins inside of Ableton. That might be worth having a play with.
I bought Jura, Fabrik, Op4, delay pro and Flavor pro a while ago on discount.
I really like jura as synth. Fabrik is good as rompler but nothing special. Op4 is a nice fm beast.
Delay pro and flavor pro are also really nice fx.
Flavor really adds grit and is way better than the free flavor. Delay pro is the best delay in the mpc eco system.
I didnāt regret buying them in discount, but the normal prices are a bit steep.
Air Stage Piano and Air Stage EP, no need if you have Fabric
Jura Chorus, I donāt care for Junos
Air Delay Pro, I think if using it for drum kits and very percussive stuff itād probably work better but I found it ended up way too muddy for sustained sound like Iād use with wind synths
Air Flavor Pro, makes it really easy to get LoFi sounds out and add some character to the sound without completely overpowering it
FlexBeat, these are some really unique effects and some of the momentary/gate stuff works pretty nicely with sustained sounds. Some of the effects can be very overpowering and probably better as a subtle thing with the dry/wet turned down. Also this is I think the only plugin I had to actually press play to hear it kick in as most will still operate without playing the track.
This FX has a clear feature to prevent the mud build up. It useful on more than just percussion. It has 2 types delays; digital & analog. How long did you ātryā before you made that conclusion?
Sorry, but please try again & donāt just rely on the fx presets like most.
Probability is too random, I would have preferred a more programmable approach, like the Elektron step sequencer, but it would be too fiddly on the screenā¦
It does have an Elektron style A:B (or 1:2, 2:2 up to 1:4, 4:4) functionality if you know how to manipulate the 4 sample slots in a Drum Programās Program Edit.
Plus, you can use the same section for randomness (@ 25%, 50% and 75%).
And, letās not forget you can get this repeatable by extending your sequence length way beyond the 64 step/4 bar limit of Elektrons.
Like a lot of things with the MPC, itās all doable when you know the MPC and adapt to its way of doing things, no need to wish.
There is a difference between doable and usable.
And yes, it can be done but itās just not as usable as on the Elektron boxes.
Itās just a different type of sequencer with a different mentality.
I program Elektron sequences, I play MPC sequences. Different state of mind for me.
But this cuts both ways, right?
Think about the āextra workā needed to make an Elektron box do what you can do with a 16 or 32 bar sequence in the MPC⦠like having to scroll through and create fills, etc, or 8:8 type events for a turnaround⦠itās way faster in the MPC to get there from a one to four bar pattern⦠and thatās without going into the Prog Edit to do what I referred to above.
And itās 100% usableā¦
Completely agree with you here. Different mental approach for me too, I really like both.
Yeah, this is an approach Iāve already done. I guess it has to do with the way Iāve got used to on my Elektrons ⦠16 steps pattern length and the trig-probability, rarely more steps because I lost the oversight in the past
Of course I can use the MPC-sw to overcome the screen-fiddling on my Live and it is doable. In some ways I wish my Elektrons would have an editor for the sequencer because it would expand the capability of the boxes (Accent, Slide, Trigmute, Swing) beyond itās live-purpose.