There’s also a capture option just like the skip back on the 404.
2 Likes
Not worth sharing on Soundcloud, but here’s Spitfire’s Felt Piano, with some subtle RC-20 processing, TARS-1 reverb for space and just a liiiitle bit of tape echo automation moving in and out -
7 Likes
Your tracks are a soundtrack for the soul.
Heartfelt, suspended moments.
You can literally hear the notes moving.
Love it
1 Like
Lovely little piece! Who needs hardware in 2024.
1 Like
@Bignill I did play it on a keyboard controller, though. That’s hardware 
Thank you @Heyes for your kind words. They touched my soul, for what it’s worth.
1 Like
I see you already got a few tips and probably found fitting alternatives? 
Really nice, need to try the spitfire pianos also 
1 Like
Funny how years of discussion with everyone and then some about how I miss Logic and endless attempts at trying to explain why, and endless explanations by those same people about how I could do this with Ableton in extremely complex and unusable ways are not nearly as powerful as this simple photograph.
Finally pressed buy, welcome back Logic. And thanks Andreas for this little bomb of knowledge, well played. Going to print this out and hang it up at every social event held here at the NWAQ mansion, might even hand out copies at the door
1 Like
Is there a way to download that awesome pack by The Kount on Logic for Mac?
Do they need to update the actual app to get it?
Got it on iPad and it’s bonkers, if you’re into hip hop, lofi shit.
LE: Nevermind, if you open an iPad project on Mac, it fetches the pack.
2 Likes
As far as piano goes, yes.
I’ll tell you this, though - one of the reasons I use the OP-1 Field frequently with Logic, is your sound packs. I’ve yet to find anything in plug shape or format, that matches whatever voodoo you’ve cooked up there. Arturia’s Emulator II wasn’t perhaps close, but the closest I could find.
If you ever do anything that just slides into a daw and has that same kind of organic dynamics you got going in the Field packs, I’m on board and will let the others know.
4 Likes
You’re welcome
I’ve showed this to some of my Ableton mates, and of course they go “But whadda you know, you’re gonna drop Logic in a week and go back to your boxes anyway” and then they go “But Ableton’s like invented this workflow” and I go “Yeah, I can tell, considering how far behind they are” and I realise I’M IN A DAW FIGHT and think how far I’ve come, and get all fluffy about it until someone shoves a first gen Push into my face and the FIGHT IS BACK ON.
1 Like
Again, not Soundcloud-worthy, but posting it here since now, I’ve reached some fluency in Logic and wrote this in about an hour. All instruments from Softube’s Model 84, scratches from a vinyl sample loop, wobble and tape-is effects from RC 20, and Softube’s Tape on the master. Some TARS-1 on aux for both channels -
4 Likes
Soundcloud-worthy? I’d say bandcamp-worthy!
2 Likes
That is too kind 
If I hold on here, next EP will be a Logic one. We’ll see.
1 Like
Congratulations! This conversation qualifies you for your official Logic User badge, enclosed. Please wear it with pride!
2 Likes
Been exploring Flex lately, both in iPad and on the Mac version. As cool as the results sound, as _flex_ible as the option is, it’s not all that useful to me. And I like in concept what it’s doing. It’s just a mess getting there.
For now, Chase Bliss Blooper wins the fight and quick and instant audio manipulation, which gets me results equal to Flex and also a lot less predicable. Granted, it’s mono, but I’m leaning more and more into mono recordings anyway. So I’m not even sure that’s a drawback at this point.
1 Like
I was curious, now you’ve got my attention !
1 Like
Maybe I’m using it wrong. But for some reason, the results end up being more weird than useful. It’s like a combination of a DJ effect and a track flavour tool, but does neither well enough to get the idea across.
But as I said, maybe I’m using it wrong. Perhaps there’s a fluency in there that makes sense once you learn it more.
1 Like
I’d say Flex is more of an edit tool than a creative one.
You can get creative with basically anything - and Flex can certainly get you some creative results.
But it was implemented, imho, for two purposes : Apple Loops and Audio Edit (fixes and stretching).
Whereas the Chase Bliss Mood is most definitely a creative tool (a creative little, limited studio of sorts) on its own.
Flex tries to give you editing options, Mood tries to give you texture.
That would be my guess, if that makes any sense.
1 Like
I like the Samplr and beat breaker together for screwing with sounds.
1 Like