I think the Virus still wins the bang for buck comparison. Voice count is impressive and the effect section is far richer than the one on the digitone 2. A desktop version was about 1600 euro on Thomann before discontinuation.
But of course, the digitone 2 is simply AVAILABLE. So yeah, I agree that there’s nothing, to my knowledge, that beats it currently.
@FTHZR if everything ever happens to your virus just go here, get a software virus and hook some midi controller up your pc https://dsp56300.wordpress.com/
i have a blofeld desktop with the optional sample update. this thing packs a lot of sound design potential ( 3 oscillator, dual parallel or serial filter , 3 or 4 enveloppes and lfo , powerfull matrix mod etc). back then i spent a lot of time designing sounds on it.you can even create your own wavetables and import into it. using it without a pc editor is a pita. digitone is the sum of all parts ,way easier to dial interesting sounds and the sesquencer brings to life. i had a virus also inthe past. i.ve never done greatest music anywhere else than digitone and 2, even with more powerfull synths. This all comes to ease of use and a flow state you reach so easilly with elektron machines and also the soundlocks and param locks makes for very deep sound design and original music on its own.
Blofeld has been out for almost two decades. I had a DN1 + Blofeld setup for a while that was a joy to use. The Blofeld hardware is a bit unwieldy to use when going beyond VA, but as a sound module it’s a workhorse.
Wavetone does:
2 VCOs, each with Sine, Tri, Saw, Pulse or an additive Wavetable
Phase Distortion of these Waves
PWM between these two Waves (thus Saw with PWM is possible - one of the very few synths out there)
Hard Sync
RingMod
AmplitudeMod (AM)
Phase Reset
Oscillator Drift
Noise (various Modes including Chip Tuney-Noise) with its own Envelope
And of course what every track gets [and identical to Digitakt II]:
Bandpass, Peak, Notch, Highpass or Lowpass Filter (as Multimode and other types) with Envelope
Comb Filter (stringy or tubey)
Track Overdrive which can be routed before or after the Filter
Sample Rate Reduction and Bit Rate Reduction
Base-Width Filter on ever track, also routable
3 LFOs
Mod Setup where up to four parameters can be assigned to things like Key Tracking, Velocity, …
Also, with the LFOs you can achieve audio rate modulation, so FM is possible even with Wavetone. And you can layer a Wavetone track with a FM Drum track just to add a sample transient for a more convincing drum sound.
& Anasthasia Stab, Hoover (original and modern) and so forth …
CoreVault a compendium of legendary sounds through the times up to today, from U96 to Jeff Mills to Planetary Assault Systems* to Hardcore
Aber ich weiss nicht ganz genau was Röchel/Hauch/Klingel ist, ne Klingel gibt’s in “Dominator”, aber sonst? You can also write a p.m. with a timestamped youtube example
*Also more Planetary Assault - like Stuff in the upcoming update: