Got mine last week, primarily as a way to augment my existing drum machine. I had a Korg Electribe Sampler before which drove me to distraction. I also have a Volca sample, which is lovely, but a bit too limited in some areas. I need to keep my OT running as a constant buffer recorder, mangler and general ombudsman of weirdness, so when I unpacked the DT it was with excitement, but primarily I saw it as a versatile way of getting layered samples going alongside my Drumbrute.
Plugged it in, sat down, put on my cans. Looked up at the clock, three hours had passed and I had three brand new loops sitting in memory, just from the internal sounds and plundering old folk records. One of the loops was even pretty good!
It’s incredibly immediate. I own / have owned a MNM, OT A4 and a Heat. I sometimes dream about sequencing on Elektron boxes (and boys, remember there’s nothing wrong with sequencing, in fact doctors recommend you do it everyday otherwise your sequencing dreams can get quite… granular). I can honestly say that for me, the DT is right up there with the Heat and the MNM with the highest fun to button push ratio. Don’t even get me started on the control all function with pattern reload and copy. That thing is a happy accident machine.
Also, and I hate to venture into the territory of audiophilia without doing a blind A/B test with the OT, but it sounds really, really good. Stuff that I’ve recorded from crappy YouTube videos, pitched down, and filtered, suddenly gets all gloopy and mysterious, in a way it never seems to be able to on the OT. The OT always seems to take my fiddling and say “Here, it’s all gone crunchy and lo-fi. Are you happy now?”
True there’s a lot you can’t do with it. And compared to a used OT, well… I love my OT - it can do so much. However, who remembers OT OS 1.0? It wasn’t anywhere as amazing as the current, finished, OS. In a couple of years the DT is going to be at a much higher level than now. It’s going to be an interesting ride.