the second track is the kind of ambient thing that I could have done with the OT, so as a texture it’s perhaps a path to explore, as a source, as inspiration etc. for the rest it’s a huge debate that has already started with pictorial art, I think that there will be merit for the one who knows how to handle these tools well, a profession, a name, but as it stands it is rather soulless music that results from it (if what’s more, she learns with the actuel shits) if there is no human involvement in the creative process (and this is valid with or without AI…), or a story to tell this will always be very limited, but that’s already what is in music today. ex Music or product Demo? or ultimately both at the same time are inevitable? Hendrix selling his VoxWah pedal during the jam break would therefore be the norm, and therefore using AI should be too ;). However, this can only encourage musicians to move towards territories untouchable by AI (for the moment…) instruments and their practices. whether he is traditional or not, a seasoned Osmose player will always be better live than a mpe AI (well I hope)… another example I moved on to real painting after the advent of AI (so recently), ultimately these changes in usage even have a good aspect, that of pushing us even further away from this approach! For the rest I listened, it is indeed intriguing and always a good line of thought!