the lpf is also my gauge for how wet everything is. very useful in that way, and just beautiful sounding
i wanted to thank you for this advice. i have been careful to not keep the Boum fully wet most of the time, but i never really went below 50-60% out of some obsessive urge to keep less transparent in my mix since its at the end of my hardware chain. i think i always just assumed it would be useless, but setting it anywhere from 20-45% actually allows me to use tube in a really sweet kind of subtle and very musical way that i never have before. this rules. the tube circuit sounds amazing when its not overpowering the frequency spectrum and made me fall in love with this machine again
this thing sounds unreal. i still cant go much past 75hz on the lo cut, but sometimes i can do 150 and its clearly helpful in certain instances. i still like to keep my rytm and syntakt kicks pumping/booming in that range with a relatively slow attack on the compressor, but not as slow as i’ve been used to.
anyway, this has helped me re-think how i approach the Boum, and i appreciate it very much. i love this sound. thanks again
im also kind of curious if Boum users typically add any input gain because i tried for a very short period but now i leave it at 0. i guess now that m working closer to 30% wet i could bring more of that in without bringing up the noise floor too much