So yesterday I finally discovered what this GAS business that everyone talks about refers to; Gear Acquisition Syndrome, and in doing so, identified something of a trend of said syndrome in my own kit buying history.
In fact, ironically, the same day I looked up the meaning of the acronym, I found myself hypnotised for much of my waking (and possibly sleeping) hours at the prospect of buying an OP-1, cue the gazillion youtube demos and hunting for review threads on here and elsewhere, convincing myself that itās a good idea, and by the end of the day, hitting āBUYā on Amazon as the pre-purchase dopamine buzz was at its height.
The unit arrives this week, and yes I am very much looking forward to it.
GAS GAS GAS!
Itās a strange beast this GAS, quite similar in my mind to a syndrome I have since shaken off; VAS (Vinyl Acquisition Syndrome) in which the forces of craving manifest as a feeling of lack, which mixes potently with oneās personal passions to arise as that all too familiar āI just need to have that, my creative life will be offered a sense of completion when I get itā and I strangely find myself in a new paradigm in which something will indeed be missing from my creative life if I donāt take the necessary steps to acquire the goodies.
I think that feeling of lack is essentially what drives human beings to constantly act in such a way as to strive for that elusive sense of completion that drives so many of our apparently habitual behaviours.
But I donāt think the energy (in this case GAS) is necessarily a bad thing in and of itself. I wonder how many of us have bought a piece of gear completely devoid of any emotional energy directed towards its acquisition.
I donāt remember the last time I bought an amazing synth purely on the basis of actually needing it objectively, through a rational and intelligent deduction about the next steps required for music making.
Neither do I remember buying something completely foolishly on a whim, without having any sense of why and how it will fit into my set-up (though I have at times been close).
I think that in the same way that we can fall in love, be completely intoxicated with a person (āthis is the oneā) and still make it work, knowing that the initial buzz will give way to something else, so a bit of GAS gets the energy going and facilitates a purchase. I guess the trick is knowing that our expectations and ideas about what it will be like to finally lay our hands on it and make it part of our creative world, will rarely match the reality once the piece of equipment is ours. Not that it will necessarily be better or worse, just not ever what we expect.
For me, this is a slow learning curve, and Iām starting to appreciate that there are no final holy-grails of equipment, that what I do buy I will have to stick with and come into relationship over time, knowing that when the post-purchase dopamine does recede, there will always be that next piece of gear waiting in the wings to once again tantalise the promise of final creative fulfilment. But perhaps the fulfilment is already here, and it just keeps getting overlookedā¦
Why did I write this?
Because I learnt what GAS meant and got excited.
I might have rambled a bit.
Best wishes,
Dave