To be honest, I’m not sure what is required to make that happen; let me look into it!
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I’m thinking I might make a track with a similar amount of instances as in this tiny example. Have some club shows coming up so right in the middle of filling my OT with stems. This would definitely be a high energy one.
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The demo video has me deeply interested. I’m curious how power hungry it is on a M1 Mac. Is it particularly CPU intensive? I’d guess so based on what it’s doing, but often well-optimized apps surprise me.
I’m going to definitely have to demo this and if it runs well on my system I doubt I’ll hold off on buying it. Dead sexy.
Well done.
Hiya, see this post above 
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This is the morphing drum machine I have been dreaming of for YEARS!
I just want to second the request for individual tuning of the two samples. It is a little unfortunate to me when the timbre morph is overshadowed by the pitch sweep when there is a big difference.
Thanks!
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Thanks for the kind words, and the feature request is acknowledged 
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Hey everyone, since some of you asked — we’ve just updated Visco to have a resizeable UI. You can get the updated version here: Visco - Forever 89
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Trying this right now and loving it. But… there is a but… Only gripe is it does not play nice with non-mice input sources, which suuucks for me cause my main “mouse” is a pen tablet and it is hard to use when the controls go from zero to maximum with the lightest touch 
edit: also the sequencer on this is screaming for conditional trigs. Make it happen, please?
Hi @Phillip, happy to hear that you like it
We have tablet optimization on the wishlist, but it’s still quite far down compared to some other things I am afraid, so I can’t promise if/when we get around to it. There might be a quick fix, but it’s just too early to tell.
Conditional trigs is on the wishlist too — we need to assess what additions makes sense for the sequencer long and short term before committing to specific features though.
Feel free to suggest more things, like I wrote above, we’re planning to support Visco with many more updates along the road!
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Hi Rikard I love your attitude and open mind… you’ve already got unbelievably great request from everybody especially Yorha and Oitnu I couldn’t agree more with how important their thoughts are… I just want to support the request for P-locking as they really should be a standard on any drum app imho, just like tuning and choking… even if you can get similar results a different way it’s wonderful when an instrument of this type has more than one way to achieve something, so everyone isn’t locked into one workflow… but yea p-locking is vital if possible.
Anyway thank you and looking forward to where you take this!
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Thanks! For me, empathy and vulnerability are core principles when shaping products; I seldom assume I have all the answers, and in my experience, that really helps with developing products musicians love.
Right now, we’re looking into the big bucket of suggestions we’ve received (+ all the ideas we already had) and will explore what meaningful slices we can deliver in a good timeframe for point updates. The release last week was still some kind of MVP (although a pretty damn decent one if you ask me!), so I hope we can delight people with many point updates to come.
Once again, thanks for all the great suggestions this far — this is great. Feel free to shoot more suggestions my way, and we’ll do what we can to fairly assess and incorporate them if they fit the product narrative!
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Windows users, we just updated Visco with a signed installer! The process should be much smoother now
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Hello. I am truly impressed, deeply impressed. I cannot comprehend how you were able to create such an incredible program.
I genuinely did not think that such a program could exist yet. You have developed a revolutionary program.
How is it possible that it takes up less than 3 MB of space? How did you achieve such natural-sounding morphing? How does it have a negligible impact on the CPU? How could the resynthesis be so close to the original sample? Your program is a complete technological mystery. It’s like a magical new program that allows me to accomplish something I have been striving for years to achieve, trying so many offerings.
Morphing is one of my primary goals in the process of creating sounds, playing sounds. I truly relish the morphing process itself and attempt to morph sounds in programs that are not intended for it, using programs such as Ableton and Clyphx. I memorize numerous parameters and try to create natural-sounding transitions while performing. It’s a challenge and a lot of fun and creativity.
Morphing is underestimated in all facets of the music industry, be it MIDI parameters morphing or sound morphing.
For many years, I have been seeking ways to experiment with morphing and have tried numerous programs. For now i never found another better way to achieve morphing other than taking snapshots of parameters and morphing between them with Clyphx , allowing the fact that in between 2 sound there will be “mystery” .
Your program is one of the few that makes me think, ‘It’s happening.’ It is one of the first programs of its kind. Your decision to pursue this path is truly the right one, I believe. Morphing is a new way to create originality. As I write this, I am contemplating the potential to utilize your engine in synthesizers as well, transitioning from one lead to another with all the sounds in between available by rotating a knob. How could anyone resist such a voyage , not me
PS : And yes , of course, for people who want to go further, there should be an “advanced” pannel , to understand and tweak the magic in this incredible piece of software . let the user choose " easy mode " / “Crazy mode”
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@rikard You guys should put this quote up as a testimonial on your website 
I can’t say I feel much differently thank this guy does either!
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Wow, @Luc! I lack words! I’ll make sure my co-founder, who’s writing the code, sees this too 
We plan to show more of how Visco works at some time in the future; we just have to make space for it as soon as most critical bugs are ironed out.
And we also hope it’ll become as much of a success as it deserves to be
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It’s always astonishing to witness how just a small number (the two of you in this case) can exhibit such crazy innovation and inspiration , pushing the boundaries of creativity, while massive companies seldom venture beyond what they accomplished in their initial stages despite having all the resources to do so.
Not to mention those who merely copy with a different flavor. Originality is a rarity; I can recognize it when it manifests.
Congratulations to you both. And the most important . THANKS !!!
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How does Visco work with tonal/pitched percussion samples? Or samples that aren’t drum samples? Curious to hear how it sounds at the edges.
Realised I could try it out with the demo, some very interesting results so far with unconventional samples.
Number one feature request: allow the ability to tune the pitch of each end of the morph slider (as mentioned above somewhere). A way to set both an initial and a target pitch/frequency, maybe as pitch offset parameter for each side. Right now I have two kicks that almost sound like bass notes and ring out beautifully, but the samples they came from are a semitone apart, so there is a pitch slide when morphing. This sounds awesome, however by definining both pitches, it would be possible to match the pitch of B to the pitch of A, so that the pitch could be consistent across a whole morph. Or to define exactly how the far the pitch would bend, e.g. a +5 semitone bend, matching a chord change in a track, for example. This would really open things up.
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Ok I need to demo this plugin. lol. Too intriguing.
I’m quite underwhelmed with this plugin. The blob thing is kinda useless and while it looks interesting, all the controls are not intuitive as you don’t really know what you’re doing and I always end up making the sound worse from the starting point. Also, why do you have a Z axis in a 2d interface?
The resynthesis is ok but it sounds worse than the original sample. I also never liked any result when morphing two sounds together. And I don’t understand the gimmick about morphing one kit into another. Maybe it would be cool in some places but I don’t know.
I guess my main gripe is the blob and how useless it is for sound design.
It’s a very interesting concept btw and I am always excited to see things done differently. This just doesn’t do it for me though.