I didn’t read it and nor did i watch any tutorials, and didn’t read the OT manual.
Theory: if i had learned the Machinedrum with Record/Play machines and the Monomachine with Trigless Trigs since 2007, surely i should be able to intuit my way into using the Octatrack.
That approach worked, believe it or now, except i never figured out how to sample onto the OT directly lol.
Track Recorders are not Tracks, it would appear.
Anyway there was the Liptons Iced Tea episode within three months of buying the OT on sale for an insanely low price back in 2012. So … i can’t really talk about that now, too emotional haha lol just being silly.
Merlin’s manual does not tell you where it’s at, or what to do exactly.
He talks about the why. From the start. Read it from the start.
Oh … there i go barking orders again … i will show myself the door …
But yeah, i totally had the incorrect approach to the OT.
My approach wasn’t stupid.
It just wasn’t correct.
I still had a lot of fun for three months and made some lovely exotic groove melody interactions.
My incorrect approach had nothing to do with my attitude about manuals.
I just didn’t understand how to understand the values.
The workflow values. Not moral, but timesaving half a second one hundred times saves nearly one minute of creative vibe time.
and the Value of the OT.
it integrates in its architecture of user experience the abstract well thought out ideas of workflow optimisation whilst maintaining flexibility and fun.
But i didn’t want manuals, i wanted to explore by myself.
Enter the new world without a map.
Maybe i bought it too cheap on a super sale.