Really enjoying using the Conditional Trig “1st” false (the one with the line on top) for pattern transitions. Therefore when your pattern goes from A -> B , you can have Conditional Trigs on any sound now on pattern B so for the first 4 measures they’re muted and will unmute when it completes the loop. Frees you from having to mute / unmute manually.
I also did this really glitchy / arpeggiator patch by doing this…
- Track 1 was a 1/16th ARP enabled patch.
- Track 2 was pad sound, but I imagine anything will work.
Had track 1 playing track 2 at same time through voice menu. Now depending on how you have voices allocated, when you start playing the Arp patch, you’ll have a really cool rhythmic patch with tons of voice stealing going on. The voice steal makes it great. Add some movement through lfos and other means and you’ll have some pretty busy stuff going on. Especially with higher tempos.