We would like to see the Keyboard mode being upgraded. like on the Digitone II we should be able to lock the keyboard scale and root note per track or pattern basis. and why not having the chord modes on Midi machines.
All the Best.
look it is easy create a Kit for your song with the right volumes and load it to the patterns that you want to use for this Song that’s it.
p lock slides ![]()
I don’t see any sense in this, especially since you yourself described scenarios of how this can be achieved using LFO tune/filter/reveb/bitrd…and there is more control in this
but the new wow/flutter or tape-style effects are welcome)))
by the way, it would be nice to have presets for effects or lfo pages
Well, the LFOs can do a lot of things. Like simulate chorus, or glissando. But they still added those as explicit features in the DT2. Lofi simulation on the DT isn’t achieved only via LFOs (also filters, SSR etc.) but even if it was, doing it per-track is laborious vs. a “lofi mode” switch that sits at the end of the signal chain like the compressor.
I’d like Kits to load samples into the same banks they were in when the Kit was saved. At the moment, loading a Kit always places all samples in Bank A.
Because there’s no functionality for moving samples after they’ve been loaded, being very careful about where they are loaded is the only way to stay on top of sample management within a project, but Digitakt actively makes this a chore.
Without these two limitations I would feel a lot more encouraged to actually use Kits.
That would mean to relaod the kit in each pattern every time you want to change the volume of a track in a song, what I meant was the possibility to have a mixer that works like a real mixer, with a fader that sets the volume for a track in the whole song
I agree. Kit saving/loading is not a meaningful remedy to how tedious it is to work across patterns for the same song. So much back and forth is required just to get parameters in sync.
I would love the ability to select a set of patterns to be in sync with each other, such that they all share the same kit state at all times. Kit Perform can serve that role when jamming but it isn’t suitable for arranging/composing.
Request: Maximum tempo to 400.0bpm
To achieve that double bpm trick with the sequencer ![]()
Song Mode row mutes should be separate from pattern mutes.
Right now if you set your mutes in a song, then perform that song, Digitakt will save any mutes/unmutes you made into the song, even if you made them outside of Song Edit mode.
For example let’s say you want to mute the kick in the last bar of a loop before moving on to the next one. Let’s keep it simple with just two rows.
- You create two rows in your song
- Both have the kick unmuted
- You leave Song Edit mode
- You press Play
- You perform your jam
- Before row 1 progresses to row 2, you mute the kick as part of a transition
- The kick unmutes itself when row 2 begins
So far so good.
Except now, row 1 is saved as having the kick muted.
If you want to try the performance again, you must go back into Song Edit mode and unmute it from the row, or reload the song from a saved state. This is incredibly tedious.
You can spend a lot of time meticulously setting up your row mutes, crafting a pre-arranged structure in Song Mode… but the moment you actually play the song and perform over it, you’ll most likely scramble it into a mess.
This might be fine if you’re sure that all your mutes are exactly the way they ought to be. Then you can, I suppose, just reload the project. But if you’re an arranging and experimenting phase, it’s a massive headache.
In SRC I’d like to have the option for LEN to be toggled to become END.
At the moment when I adjust STRT it changes where the where the sample stops or goes back to the loop point since that point is defined by the playback length (LEN).
Use Case Example: I’ve got a long synth note with a snappy transient at the start. I set LEN near the end of the note and LOOP halfway through in a spot that doesn’t cause a click so I can have a nice sustained sound… But if I decide I dont want to hear the snappy transient at the start and adjust STRT to chop it off, I also have to adjust LEN to keep my looping sample sounding good, having the option for LEN to be END would simplify this.
It would be cool to have swing per track
Log/exp envelopes. Particularly in Fm Drum.
Defaulting to per-project prefix + counter naming would be really helpful speeding up sampling.
Please make 1.00 one of the snap to values on the LFO.
- collect all and save within the machine itself
- Live Song Recording
Conditional Parameter Locks
Being able to skip parameter locks based on conditions
Much like conditional step components and parameter locks op OP-XY
Write on screen which track is being edited on the MW/BC/AT etc setup pages… if youre editing those in mute mode its not clear which tracks’ settings are being edited because theres no feedback on which track is selected via trig button lights in mute mode.
Is it a request or an issue ? When I stop my digitakt 2, the midi clock is still running, all my other gear stop the clock
Please !!!
Love to see the option to disable the song mode button in the personalize menu, As I sometimes can accidently hit the button then it goes into song mode ending up in silence during a liveset , When one just wants to play around with patterns. ( this really takes me out of the momentum performing live)
Or maybe have a option to change the button to a dif function that enhances live performance like direct pattern step length or even better the pattern speed. or what ever function u can come up with. ( like a custom specialist button to freak out with)
and use it like a hold button, the pattern speed changes as long u hold the button with corresponding speeds on the trigs 1 till 7 u can change the speed and when u let go it jumps back to the basic pattern length and or speed.
