I like blankfor.Ms
I bought his spitfire vst. Great synths.
Great tune.
I like blankfor.Ms
I bought his spitfire vst. Great synths.
Great tune.
For the āDFAM Thingā heads out there, there is a V1.3 firmware update (also V1.2 was released recently):
[EDIT] - Canāt actually find where to download V1.3, have emailed Ken.
New in firmware 1.3 of the standalone DFAM Thing is support for MIDI CCs.
ā¦and a āSemi Modular Thingā is in development:
http://thewessens.net/DFAMThing/DFAMThing.html#the-semi-modular-thing
also, a free 3D printable case for the stand alone DFAM Thing is available for download:
https://www.printables.com/model/397868-dfam-thing-standalone-case/files
Hello @kryten42!! Iām doing some firmware updates this morning and I wonder, did Ken ever get back to you about 1.3?
EDIT: Reading his webpage it is a bit unclear as to whether the new firmwares are intended for/work with the module version so I guess I better email the man myself and see whatās what.
Hey @Annihilation_Squares - yeah he did respond (very good support from them over the past few months), unfortunately heās not well with covid atm, so any enquiry responses might be delayed.
regarding DFAM thing firmware , I understand from him that he only hosts the lates (i.e. V1.3) on his website, but they are (confusingly) listed in version number relating to the version of the DFAM thing hardware, not the āOSā for the DFAM thing, if that makes sense.
I have reported a bug in V1.3 with the CC, they donāt respect the MIDI Channel that is set (1-7 or all)ā¦Ken said he would patch this quickly but then got sick.
I donāt think you can brick the DFAM thing with the wrong firmware as you can just re-apply another firmware. Not sure if the CC thing applies to Eurorack version ?!?
If in doubt, hang on for a week or twoā¦
Hope this helps
[EDIT] For others who may be interested⦠iirc the Digitakt sends cc16 for Bit reduction, which is the same as the Clock division/multiplyer for DFAM thing, this is how I found the bug/unintended featrue
Thanks Andrew! Iād have replied sooner but mom was in town. Ken is the man! Afflicted with the germ and still emailed me back within two hours. He advises I hold off while he gets right and subsequently patches up 1.3
I think the CC thing does not apply to the module version but Iām not sure as Iāve not quite gotten to using the thing. Iāve put together a little rack and had worked my way through learning the other things in it. I was just getting to the DFAM thing when I noticed your post about new firmwares. Iām going to wait for the patch.
Also, while Iāve got you here, I really liked that last long one you posted in the improvised thread with the new mixer. Shit has been real hectic lately with new job and other stuff so I havenāt been as effusive as normal :0)
Thanks man!
I bet youāre itching to use your little rack in its completed form.
New job eh, Congrats!
Youāve left the brewery then? (IIRC)
My fellow DFAM-lovers, I have been having issues with this for a long time so Iām interested to know from you: how are you mixing the DFAM with other instruments to sit well in a track?
Whenever I take mind-melting recordings of my pair of DFAMs I struggle a lot with making them sit in a mix, they take SO MUCH of the frequency spectrum and when I try to filter out/EQ parts of it I feel I lose the feeling I was getting from the sounds when jamming. Itās worked sometimes but most of the time itās pretty damn hard to mix these beasts.
Just looking for perspectives and check if anyone else struggle with this because I love the sounds, just gets pretty hard to create a whole around the ideas I get from them.
yep, DFAM soundS so good itās gotta be heard in it purest form in HPF they sound bright , LPF they boom! Itās true. I side chain to the kick in my TR8sā¦.but yeah, let it sing on its own with reverb and and delay and just some kick and hatsā¦maybe pads. It dominates for sure though, EQ it I guess if you want it in a mix.
Same difficulty here.
On its own, it sounds amazing but itās hard to make it sit into the mix.
Not only the sound but also the sequencer makes it for very repetitive pattern that donāt breath and take the entire space.
@victorcampos and @Switchzik.
Iām so glad you guys rock the DFAM. And it DOES pump out a lot of frequency.
I never noticed it not sitting in the mix for me though. I usually run them individually through my 18i20.
I always pair them with all the other Moog semimodulars. So Iām usually pumping!
Couple points. One, I usually filter and gain stage to mix directly on the unit. Then I sometimes rock a touch of reverb, but I usually save that for leads. If itās kicks, then I keep them fat and dry.
Now maybe Iām not that good of a mixer, and I putting out a lot of mud. Your ears might be more refined than my hearing.
In terms of the sequencer, I use the sequencer of the Mother32, or even sometimes the SubH, to adjust the time divisions of the sequencer to pair up a regular sequence and one thatās half or quarter speed. It just takes some patching.
Or you can sequence run/stop and pitch with a Beatstep Pro.
The Matriarch has stereo delay which really helps with slower sequences. Keep the feedback up. Or use the LFO on sample and hold to fire the trigger of the DFAMs.
With the right LFO settings, you could actually get pretty close to generative music!
Or just play the knobs! Sometimes I have to manually start a DFAM for a couple bars, then filter out and reset every 4 bars to make a hook.
Moog has a bunch of patches on the website that address the sequencer.
It really is all there, just need to set it up.
Hope you have fun!
I was working in a publisherās warehouse that was in that giant redone brewery complex. I now work for the same publisher but in the office across town. Itās my first office job ever and I have quickly adapted to the ways of looking busy yet posting on Elektronauts!
Iām a DFAM n00b, but with other noisy, full-specrumy gear what I normally do is cut its levels and put a mid EQ boost with a tight Q roughly where Iād like it to sit. Very early in the process. Like, first thing. It sounds horrible but I tell myself itās just a place holder.
Then I spend the day with it like that as I mix and arrange everything else. The next day, Iāll open up that Q a bit, and suddenly it sounds so fat again and Iām happy with it. Secretly I know, of course, that Iām cutting 90% of what made me love it in the first place. But so much of mixing is tricking myself into doing what I know is right.
Itās so weird.
All this talk of too much frequencies and Iāve never noticed a problem.
And I usually run a sequence with both DFAMS, a SubH and usually the Matriarch as well.
I think my stuff sounds okay. Maybe Iām self eqāing across the devices via gain staging and letting each synth take care of a high lead sequence, a mid Acid line, and the bass part respectively. With filtering.
So the synths donāt always share the same pitches and therefore frequencies.
Yeah, like I say Iām still kicking the tires on my DFAM, but the only time I foresee it being a problem is when leaning heavily on noise (itās noise-based patches on the Prophet 12 that I used this mixing trick on, previously). If youāre straight leads/arps/basses, I canāt imagine there being much conflict.
Oh, right. Yeah, Moogās noise generators are ran through the mixer.
To anyone who is really really new to Moog⦠The mixer is built to be overdriven at max. So if you back off to like2 or 3 oāclock to get āunity?ā or what ever normal levels are called.
And I havenāt experimented with noise yet⦠thats a good thing to put on the list.
I made a DFAM sample pack with two lilā 2min demos tracks Iām quite happy about :
Very rarely work with samples but this was fun. Itās a bit strange to fix such a living and breathing box into samples but itās also pretty cool to have a solid library or DFAM samples in your sampler.