Anyma Phi

So here’s my (best effort) list of stuff not yet implemented. Some of this may be implemented later, some of it might not be:

  • Arpeggiator (I’m guessing like other stuff this will include multiple options.)
  • Wavetables – This may include four parts: WTBL Wavetable oscillator, WMAP 2D wavetable oscillator, WLIN Interpolated wavetable oscillator, WTx4 Four-voice wavetable oscillator
  • Meta-Exciter – Advanced exciter collection for resonators
  • Brass – Advanced brass model
  • Additional Ladder Filter Models CORRECTION: Looks like Ladder Filters are all done.
  • Comb Filter
  • Formant Filter
  • Parametric EQ
  • Flanger
  • Compressor
  • Limiter

That this list is long is no indication of a lack of features on the AP. It’s just that Aodyo is ambitious.

ADDED: I’ve pretty much got designing patches with Morph down. Worth the small amount of time to use this feature. This was added later in development, nice how quickly you can get to the alternate settings.

I need to consider more carefully sound design with this specific feature in mind.

MORE: It’s still early days, but opening some more possibilities, with use of the external input.

I’m feeding the audio output from an Aerophone (pick a voice) into the audio input of the AP, and putting that on one of the two buses. Then i feed the MIDI data from the Aerophone to create audio on the other bus. So now I’ve got the same notes from alternate sources, on the alternate buses.

You can do a similar thing, by setting some oscillators on the AP, on one bus, and the rest on the other bus. The difference is the addition of external oscillator voices to the AP, and that the MIDI data between the two can potentially be different.

So for instance you could split a keyboard and feed some notes as external audio and different notes as MIDI data to drive the AP.

Back to what i’ve done with audio from the Aerophone. The AP can apply very different effects to the separate audios, and you can also apply any of the effects that works across the two buses. Cross-fading is good. And in addition to the two cross-faders, there is also a cross-folder, a ring-mod, an XOR modulator, and the comparison modulator, that all work between the buses.

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