I ignored the TD-MOs for quite some time (which is available since 2021?).
Nevertheless - I had to pull the trigger now:
Build quality is much better than expected 
Excited how it will sound (opinions / review are quite mixed).
My plan is to run it in combination with Perkons for acid- industrial improvisations.
Letâs see how this will work.
Congrats. Itâs awesome.
The Free Roland Cloud VST 303 sounds amazing.
Better to my ears that D16 Phoscyon
Which 303 clone works best connected to a computer? Pretty sure the T-8 just needs a USB-C for power, midi and audio. Any other work this way? Maybe the Donner B-1 works this way too?
I am.
Didnt say morph. Said blend. Which it does.
Dual osc.
Edit 1 goes from saw to square.
So if you go backwards, it goes from square to saw.
(Edit 2 sets an interval between the 2 oscillators, so leave it at zero)
Blending the waves from two oscillators is different to the MB-33 which only one oscillator that morphs from sawtooth to square wave.
Donner B-1 has its own little power supply (wall wart). My recollection is that itâs mandatory.
If you set the oscâs to the same tuning and sync one to the other, it is very similar to a single osc morphing its waveform
Also no audio over usb and no midi control
Keep in mind t8 is annoyingly not midi controlled
Thanks, which OSC type is that?
âWaveformâ
Manual page 34
when it comes to Electribes, i like Electribe 2 for acid lines better.
its «Acid» filter is an excellent emulation.
however, the sequencer is rather tedious to program (and 4 bars only)
A few Years ago I used to think the EMX1 sequencer was tedious.
But I got another one last year, and now Ive learned all the proper sequencer shortcuts and commands, its a lot of fun.
I like moving slightly off the straight square and saw tooth waves, and use other things for the acid tones like previously mentioned wave morphing, Ring mod, cross mod, etc.
First test drive (and rather an experimental improvisation than a polished performance) of the Acidlab Drumatix and the MXR-104 + distortion.
Got the Acidlab Drumatix last week - and it could get my new favorite drum machine. So much more to offer than a TR-606 (kicks can go really deep with loooong decay). Should have jumped on the Acidlab train ten years earlier.
A machine I completely missed and underrated.
Havenât done distorted acid for ages and was surprised how sensitive the MXR interacts with the RE-303 (not always 100% controllable, if you donât go for max distortion).
Whatâs your favorite 303 distortion?
Let me know in the comments 
Live recorded in a single take on 1010 BlueBox.
Reverb added on BlueBox.
Ok - I finally found my favorite distortion device for the 303: The Boss KM60, I own for several years now, but never used it as a distortion device on a TB-303 (clone).
The few times I tried, I was not convinced and found the sound rather muffled and undifferentiated. EQing changed it all: removing bass, treble completely gives a nice and - to my ears - more harmonic 303-distortion (even at the -60 db setting, volumes on the KM and RE-303 cranked up completely, check 1:32).
The Drumatix is also send through the KM (but at much more and subtile settings, just to add a little more saturation). FX added on 1010 BlueBox (Delay and Reverb). While using the KM as a distortion unit for drums and the 303, the Send-FX are a huge plus (in my former setups, I never used them tbh).
Live Acid improvisation on Rolandâs classic machines:
TB-303, TR-909 and RE-201 Space Echo.
Recorded in a single take on 1010 BlueBox (reverb added here).
No further FX.
You mean âput in a rest noteâŠthen an accent and a glide to an octave upâ 
