Hahaha! That is the best move by far!
Delay send (with infinte feedback) to capture loops.
LoFi AMF/AMD.
LFO depths, speeds.
Chorus/flanger feedback/sends
Slice (obviously)
One thing I like to use scenes for is transposing notes/chords, but that’s not really a crossfader thing so much except for some 303 type slides.
Retrigs, delays and comb filtering for sure.
Thanks for starting this thread! Looking forward to what folks say about it
- Fade from live audio input to resampled version on flex track.
- pitch and/or rate and/or comb filter, combined with just tapping the track trigger to live play glitchy melodies.
- Pitch + rate to transform live-sampled guitar parts.
Edit: Great thread idea btw. Hoping to get some ideas from it!
Still my main use:
Oh yeah this looks fun.
And the tips and tricks thread clancy points to is loaded with other amazing ideas. So i will read those 326 posts as well….although ive read it before:). I think it’s the type of thread to re-read.
Just after clancys post, @tsutek describes a xfade scratching technique that i will also try.
- Transition trick
- Depth of random lfo to slice number
- Delay send and time with very low time settings for glitch effects
Blank
Sends
LFOs
Set crossfader to mix or isolate 3 different samples (left, middle, right). At 1m05s
Randomize scene with Fn+Yes
(Have to do a video)
Assign crossfader to scenes.
…i love to adress slices via the crossfader…
…and to fool around with combfilter settings on single machine slots…
and i always make B scenes for travelling with the crossfader…
while A scenes always funtion as a snapshot status…A1 one is always naked…
various other A scenes are various sonic fixed status realtime reports, i can switch on and off…by simply activating/deactivating A scene button…or by jumping back to naked A1…
first 8 are always A scenes…9 to 16 are always B scenes…
ot needs lot’s of strict rules u define once to stick with strictly…
the more confident u are with such rules U set for urself, the more sonic potential can be harvested…
otherwise the point of getting lost is always near…
…and ooops and wow…how do u adress various scenes at once to the crossfader…?
Guessing some kind of MIDI loopback?
Setting multiple B scenes. Then holding down the B key and playing scenes like a piano while crossfading.
and a midi converter
Ok, im excited to try a bunch of these.
How/what are you doing with sends?
Never tought I’d be wanting an OT before watching that. I dont thank you.
whoa.
Yeah, @sezare56, we’re going to need an explanation for that one with the scenes on the crossfader
The pray move. « I hope it will be good »
As said above, midi loopback, and midi processor.
Crossfader sends CC48, IIRC I assigned 4x2 scenes couples for 4 zones depending on the 0-127 values sent, and reassigned values accordingly to match each 2 scenes morphing. Less resolution, but OT does interpolations, so it’s not steppy.
It’s ultra powerfull, the video was first test. You can scratch with pitch / reverse on some small zone, assign slices per zone, pitch for transpose per zone for instance…
But I’m not sure to use that, for mental health reasons !