Warning, this may be a familiar and thus boring read. Move on if you don’t care about yet another GAS story.
The recent release of Syntakt made me GAS harder than anytime before, and I’m not even sure why. I’m having fun with my MPC One plugged into my Hydrasynth Explorer and Minilogue XD, and I just bought an MC-101 for some bedside/couch noodling. I don’t need a drum computer but I keep looking back at the time I had a DN and how much it opened up the world to me around what you can achieve with the right tools in your hands.
The problem is that I keep lusting for other gear rather than just making music. Not a unique problem, I know, but I’m getting quite irritated with it. It’s like I’d rather be on Elektronauts than to enjoy my real hobby. It’s the time wasted on this that concerns me, not the money wasted because for the most part, I’ve bought and sold used gear.
Facts:
- I’ve never been more productive than on my MPC One. There’s no doubt that this hardware did something for me that Reason 10 never did.
- The Hydrasynth sounds better than any of the Reason 10 plugins (in my opinion), including Europa.
- I’ve never had more fun than when combining soft synths with real hardware and banging out music with my best friend, there’s something really inspiring about physical instruments that we never felt with Reason/DAWs.
Also facts:
- Gear is fucking expensive. Like, €999 for a drum computer that I don’t even need?
- Plugging in power cords, audio cables and midi cables across different hardware isn’t fun.
- The MPC workflow is rarely faster than the DAW workflow, it’s just more hands-on due to the excellent controller surface. With proper shortcuts set up, I could be just as efficient in a DAW.
- I’ve spent more time lusting for gear than making music in the last year. We’re talking hundreds of hours of watching reviews and tutorials for gear that I don’t even own. You could argue that it’s become my #1 hobby, only this hobby doesn’t fill me with joy.
- The Roland MC-101 wasn’t more fun to use on the couch than Elektronauts and YouTube after all. Horrible workflow if you ask me. I’d rather use FL Studio Mobile as a music sketchpad for the couch.
The good thing is that these experiences with various grooveboxes have widened my perspective on what you can do with synth parameters, effects and other aspects of music making that I now know how to replicate in other environments. I wouldn’t have loved the MPC One as much if it wasn’t for the fact that I took inspiration from the p-locks of the Digitone and replicated that in the MPC step sequencer.
But now that I have gained all this knowledge about what I appreciate about music making, there’s a logical part of me that is starting to wonder why I’m doing all this hardware stuff (especially the GAS part) and whether I wouldn’t be at least just as, if not a whole lot more productive if I stopped wasting hours on GAS and just opened up my laptop and a DAW instead.
Maybe I just need to learn a new DAW to get some new inspiration, like Reaper?
After all, that would solve all of the problems I’m having with the gear I own:
- Excellent portability and battery life - my MacBook Air M1 has more power than all of my other synth and groovebox hardware combined.
- No need for midi, audio and power cables
- Completely wireless! I could use my wireless earbuds/headphones again when I want to
- No more CPU limits from using the MPC One standalone
- With a DAW, I could quickly edit/tweak parts of a song even when commuting and/or on the go. While that’s already possible with MPC 2.0, that is one clunky DAW without the MPC One control surface. I hate using MPC 2.0 standalone.
- Real-time mixing anywhere. If something doesn’t sound right from yesterday’s mixing session when I play back the song on the train to work, I could literally tweak the mix in real time with my bluetooth earbuds to fix it and opening up the DAW.
- With a DAW like Reaper, which has customizable keyboard shortcuts and macros, I’m sure I could develop a workflow that is just as fast as on the MPC One, despite using a keyboard and a touch pad when on the go.
Luckily I’ve bought most of my gear used and even sold some stuff with a small profit, so I haven’t wasted much more than my time if I decide to explore the DAW route again. The only things I’ve bought new are the MPC One and the Hydrasynth Explorer, and I’d probably keep them both until I’m sure the DAW is for me again. I love playing live on a synth to generate new ideas and the Hydrasynth is perfect for that. The MPC One is a less obvious keeper if I no longer use it with MPC 2.0, since there are better, general midi controllers for non-MPC DAWs. So maybe I’ll lose a few euros in the end, but it was all for the sake of learning, right?
Anyway, that’s enough rambling for today. Again, I’m just thinking out loud here. The bottom line is that I wonder if the hardware, particularly the production/grooveboxes (less so the synths/instruments), isn’t just getting in the way of making music. While they’re really fun to jam with, they’re also quite toxic for my brain it seems, since I spend so much time lusting for the ones I don’t own - I’m looking at you Syntakt, Polyend Play, M8, and the next set of grooveboxes that haven’t yet been released.