Hey gang. I’ve been using my Elektron devices in different capacities for many years. I have a RYTM/A4 MK2, Digitakt 1/2, Syntakt, and Digitone. Initially I had them all connected together and used Overbridge into Ableton. Now I have the RYTM/A4/Digitakt 1 setup that way (with the DT1 used mostly for sequencing external analog gear like my Sirin/SE02), and the Digitakt 2, Syntakt, and Digitone on my table for jamming and coming up with creative ideas.
The challenge I’m having is at times I feel overwhelmed a bit at where to start. I love every device in its own way, but I’m looking for ideas on how some of you have streamlined and simplified your workflow to get things going quickly. I’ve contemplated selling some gear, with the DN as the first to go, but then last night I started creating really some cool arp patters that enhanced a song I was working on so I changed my mind. Thanks in advance for any input and tips on what’s working for you.
I found it really overwhelming trying to work with multiple sequencers. I started having a lot more fun once I settled on one centrepiece and used everything else as a sound source. Right now that’s a Push 3, Moog Mother-32/DFAM with the M32’s sequencer bypassed, and an Electribe ESX-1 synced to clock. Whenever I use the ESX-1, i focus on it completely and commit the performance to audio before going back to the Push.
I’ve had a hard time gelling with Elektron so I’m probably not the best person to give advice, but I learned the Digitakt’s MIDI sequencer pretty well and it’s rather good once you accept the quirks! It’s a really solid centrepiece, especially the DT2 thanks to the added storage. As said above, try to use your other instruments as modules and sample the performances.
Out of that lot, I’d get rid of Rytm and A4. Rytm is almost covered by DT and ST. A4 is covered by your Moog and Roland. Maybe that would make things easier, while also saving on space and complexity?
I have 4 Elektrons (OTmkII, A4mkII, ST, DN) and I really can only use one at a time if I want to make the most out of any of them to be honest… I have 'em all synced up and going into the OT (with the A4 going through ST) but it just ends up being too much. They’re all amazing though
I guess I’m thinking more in terms of how many things can a track take? Analog bassline or lead covered by the others. OP seems to have too many options already without even considering spending an hour dialling up something tasty on the A4 as well.
In that matter, A4 would replace 4 mono Synths but then, a Moog is a Moog. I wouldn’t let go of my Sirin. Difficult choices. There’s no exit.
And for the record, as a guy who works exclusively with only one Pattern per Track, I like to have a certain amount of Synths/Grooveboxes for different Parts of the Song.
This is the challenge with Elektron gear. There’s no one box does it all, which I understand from a business perspective. I love the RYTM/A4 as a combo and would have a hard time parting with them. The added workflow and jamming features such as the pads and quick performance knob make using them very immediate and satisfying. They’re all amazing boxes so it’s a tough decision. Thanks for all the input so far.
