Same here, sometimes less for xperimental sessions. For the last genre, neighbour and midi are often the most utilised.
Now, for techno, i mostly use AR, and OT is used for fx and more scenes.
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You upgraded from OT-bike to OT-car?
Tip: control the balance with the crossfader to steer you’r car.
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I know it’s not easy to accept that humans are dumb. The only person I know who uses her brain at 100% is Scarlett Johansson.
Edit : on drugs
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sorry dude, that was just a top shelf delusional drug binge. watch it again 
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It isn’t correct. This number came from a time where the inner workings of the brain were extremely poorly understood.
See (for example):
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What are we talking about?
The chorus, phaser and flanger are wonderful…especially if you send LFOs to their rates, feedbacks, whatever. Definitely put them on hats and pads. I love swishy hats!
I‘m no fan of these effects in general. it‘s not OT specific, I just don’t use them
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Just when I thought the movie was real. Thank you for making us (humans) less dumb.
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Pickup machines and Arrangement mode are the biggest ones for me, I’m not even sure I have opened arrangement view once, these things frighten me and I much prefer doing such structuring into a DAW.
I was also afraid of sending program changes to other machines and work with simultaneous pattern changes and sound changes. I tried it out recently and found out I was definitely right, trying to build songs with multiple patterns on more than one machine is and will remain the stuff of nightmares for me.
Man, this is a great thread! I definitely forgot about some of the features mentioned. It’s interesting to see how everyone uses this thing. It really is an instrument of epic proportions.
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Many people mentioned different use cases for CUE.
I have one more.
I use CUE as a send bus for a master fx on my main mixer. I put cue pair into mixer channel which is muted and have pre-fader send to a master fx slot. So, with the CUE level in the OT I can control how much of each track is sent to the fx in the same way as another synths on my main mixer.
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thanks for posting this video, that is a really nice trick!
i use a lot of samples made on the op-1 with the OT, more specifically, i like to record a synth melody or sequence with a certain op-1 synth engine and pan that hard left, then i record the same melody or sequence with slightly altered parameters and pan that hard right. with this trick i could basically cross-fade between these two “synth presets” on the OT. and it only takes up one track, pretty neat!
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Never clicked with the Parts feature.
Scenes and fader rarely gets used. 
Live sampling not too much either.
Too much setting up of buffers and inputs.
I wish static/flex/pickups was one and the same smart machine.
Arrange mode I have only used once. Programming four songs for a live performance.
Flanger and phaser.
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Just a thought : Is it possible to send an LFO to the Fader?
Crossfader sends and receives CC48. Hook up midi in to midi out and throw a midi lfo at it?
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Cool, thanks.
Or use a DT MIDI Track to send CC48 to OT’s Audio Track.
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Yeah, or any other source you might have.
Btw, I just tested with midi loopback on OT. You have to use a track channel. It doesn’t matter which one, choose any of the midi channels assigned to an audio track. Also works if only one audio track has a midi channel assigned to it. Also make sure ‘Audio CC In’ is checked.
Using the auto channel with the midi track selected causes the CTRL I has assigned to jump around and it won’t react to turning the knob.
It’s actualy pretty cool, because you can modulate several parameters with a single lfo!
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Sampling.
Thats right.
Really.
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