Awesome! I’ll give it a try. As a programmer, I know nothing is “simple to code”, so I’ll just say I appreciate your effort to make a kickass tool, and I’ll use it as best I can.
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Thank you!
Also, a small not-obvious feature which might be useful to you
You can drop folders in the track selector, so that every folder becomes a velocity layer and every sample in the folder becomes a slice
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I did earlier - for the first time funnily enough. Not a send though, this was a track insert fx.
I don’t have a Tonverk (yet) but this is fairly standard delay behaviour, right?
Once you engage the wet you are mixing in the delayed signal relative to the dry signal i.e. the dry signal gets quieter as it mixes with the wet?
Having as a send effect would eliminate that.
Forgive me if i misunderstand your problem.
I’m not sure “standard” is the right term here, but it is unfortunately common. This is often a sign of a dry/wet control using a linear crossfade as opposed to an equal power or constant power crossfade. It drives me crazy, for example the Hydrasynth delay and reverb both work this way so anything that is not 100% dry or 100% wet sounds comparatively weak as you perform. Ableton’s delay, for example, uses an equal power crossfade and sounds great no matter where the dry/wet control is. Also like you, I don’t own a Tonverk (yet) so I have no idea if this is actually the case and I would be a bit surprised.
I am really enjoying MESET but my first attempt to create a multisample patch from a Samples From Mars product resulted in a Tonverk error when loading the sample into a Multi Player.
Anyone else having issues with the Samples from Mars stuff? I wonder if it’s because the sample rate is 44.1?
I’ll keep troubleshooting and will update if I find a fix.
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Yes on the inserts. I wonder if they can adjust or compensate for it.
No that’s it. Thanks!
I think I can find a workaround using my midi controller though. A little vol boost with the dry wet might do it. I’ll try tomorrow.
I just tried out MESET on a Samples from Mars kit (SEM Strings from 2021), and it worked like a charm. The big thing is to specify the root note and the interval. There was a bit of head scratching to decipher the symbols, but I got it working, exported, and transferred to TV. There was some more head scratching to figure out how to load a user multisample preset, but I just played it from the TV. Pretty sweet. I can’t wait to make some more multi patches and drum kits with my SFM sounds.
Kudos to @nds0797 !
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When in Grid-recording mode, if Stepedit is pressed, and then turned of again, you are not in Grid-recording mode anymore.
Is this a feature or a bug?
Or iam the only one who finds this counter-intuitive?
So I’ve been using my TV for live shows for what…6 weeks now? I really enjoy it. Most of the pieces have been running a lot of stems in TV with some older material originally done on ST, DN2, eurorack, etc. with a couple tracks that were written on the TV sprinkled in. Tonight I’m doing a full set that was 100% created on the TV. Cannot overstate how good this thing sounds to me. Got it sync’d up with the DN2 for extra little things live, plus some external fx. Not sure what I’m doing wrong ,but…sync with TV as master has been very tight, even with quick jumps in tempo. Very pleased about that, but I haven’t been able to switch patterns on the DN2 from the TV and I don’t quite understand what I’m missing…?
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Slightly against my better judgement (from everything I’ve read, the OS still needs some baking; but I’m hopeful!), but swayed by the release of the Grainer last week, I acquired a TV in a trade.
Since synthesis is mostly my bag, Grainer seems to be a fun place to start. But after getting my fill of Grainer and messing about with multi-sampled instruments, where else should I be looking to get my TV kicks?
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If you’re not interested in mangling your samples beyond recognition, I’m afraid not.
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I guess I should add that complex FX mangling is definitely in the mix, but how much of that is samples vs sounds routed in remains to be seen.
Do you delete the previous firmware update files in usb disk mode or you just let all the previous versions?
Also, is there a way to identify the missing samples? I have a message like “107 missing samples” when booting the device that I would like to stop
Yep, I just leave the latest firmware file there.
It’s not obvious to me how you debug the missing samples issues. I thought that was the purpose of the debug log files in the first release, but I’ve read they’re now encrypted? It does feel like some means of consolidating a file into a single folder would be a useful feature at some point.
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It seems I can’t assign an LFO to midi velocity in the midi arp
No velocity in the LFO destination menu
Im I dumb?
Any clue?
thx
if synthesis is your thing, I’d probably start out by using one of the (white) noise generators, resample them and from there on, apply envelopes, filters, modulate pitch or anything else, apply FX at will. during that process, keep resampling over and over again for an endless supply of arbitrary sounds 
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Sounds great!!
How are you finding the stem playing? Could you use sub tracks to trigger these, or…?
Just thinking one “part” could stay on one track but 8 different versions of it etc etc
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That’s pretty much what I do
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