Yes, I misunderstood - thanks.
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Edit audio file(s) with a DAW.
If you want a reverb which wont piss you off, you want to sample it a couple times and make it round robin… (yes, I hate static reverb which has 0 modulation)
You could also make flanged/phased hihats this way… round robin, its the bees knees
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REUSE VOICE=OFF ⇒ same note is played multiple times
The default setting REUSE VOICE=OFF in TRIG secondary menu acts like this…
Say you have a long sample th at is trigged twice every bar.
After half a bar, the same note gets trigged, so the sample is read again at the same pitch, from the start, but the previous sample keeps playing!
So you have several layers of the same sample playing at the same time at the same pitch with an offset of half a bar, until the voice count of 8 impose to steal the first voice.
If your sequence for this track has two different notes and you’re in POLY, each new note will get its own voice, so you will have 4 voices for each notes at some point.
If REUSE is set to ON, each time the sequences trigs the same note the voice for this note is reused.
So the sample is read from the start (for this note), and the previous one is cut, its voice stolen.
If you have two notes and in POLY, the two notes will overlap (we’ll have the same sample played at different pitch).
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I agree personally, yet in lots of commercial productions, people do that (also in metal, adding room sample one shots to their drums …)
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I suppose you can also consider it as an aesthetic choice… certainly could be one, especially in industrial circles
A post was merged into an existing topic: Tonverk: technical Q&A
(My) real industrial to me is if it at least sounds like it was perfomed on live percussion 
That’s why I put so much effort into my sampling process, hitting an object at least 5 times and make sample chains of it (well, in future eldrums ).
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Ok. In my mind, industrial can also embrace a super lo-fi, primitive aesthetic, where one deliberately samples oneshot rock drums from a Korg M1, reverb and all, and plays it back super monotonously, relentlessly, from an old casio sampler… Of course, if you want to embrace “acoustic” realism feeling of the real world, you can even go as far as ambisonic miking a percussionist working metal in a cool acoustical field…
What is awesome about TV, it makes both avenues of attack equally valid
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We’re super off-topic, however my source of inspiration for Industrial is 80’s stuff, when Esplendor Geométrico used analog synths and Faust hit an oil tank with a hammer. At that time, it was not set in stone what this music is. The whole 90’s Rompler Aesthetic after that is nothing I enjoy listening to. Hence sometimes I think what I do isn’t industrial after all. People often ask me how to call my music, and these days I just say “Jeanne music”. Back to topic, Round Robin is the sh_t 
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Fascinating… I have some listening to do, it seems…
apologies, back to the topic!
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I know that using a bus just to verb a snare it’s far from ideal, but could be also a solution to give some movement to that sound with lfos and plocks
Sure. Only problem with that is, subtracks either all send to a bus, or not… I believe in this particular case, the tip was about how to achieve a reverb on one subtrack sound without affecting all the others…
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You can plock the send to FX (and the modulations) though, so if you don’t have other sounds playing at the same time, it works OK.
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My bad then, I was convinced that you can route a single subtrack to a buss, I was pretty sure to have seen that in a video, but eventually that’s not the case.
You can exclude your sidechain channel from the main compressor by routing it to Out EF instead of Mix AB.
If you want to record it, you’ll need to change it to Out CD and record both outputs over USB – I did think this was only useful for headphones, but actually Out CD goes over USB 3/4! For a live setup you’d need to either combine both channels on a mixer, or use the headphone socket with an adapter.
This hack definitely highlights how important this feature is, I don’t like the kick being compressed when sidechaining the rest. Hopefully they add an official way to do it over a single output soon (just being able to route to Out AB bypassing the Mix bit even would do) but this will do for now.
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Updated my post as I discovered that out C/D come over USB 3/4, which makes this actually a workable, if not perfect, solution! 
You just need to switch routing on the kick before you record
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So there’s two different stereo feeds via USB on Tonverk already? USB a/b and USB c/d?
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Correct yeah, there are two output feeds. On the hardware you can also use headphones as a third so would be neat if that was exposed over USB too. But already two makes a lot of stuff more practical IMO
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Thanks for the quick answer. I hope we’ll still get overbridge for the TV at some point.
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