I should say that it fits in really well in a non-tonal context, like playing its various algorithms (not just the mic) with a modular setup. I mean where gestures and textures matter more, and you don’t have to coordinate pitches to stay in key–unless you have the singing skills, which I don’t. I’ve tried it with an auto-tuner, but I’d still have to practice a lot.
It’s great for percussion, for kick/snare patterns. It’s super responsive to dynamic and tone variations, so you have a lot of control over the nuances of those two sounds, which makes your beat far more lively than an ordinary drum sequencer. But it’s all you, so it only holds the groove as long as you do. When I’m playing a groove and reach out with the free hand to wiggle a knob on another piece of gear, I lose the groove, and the music weeps. I also haven’t yet hit on an easy way to make the bass/snare sound good in the live mix. It’s fun to play, but I’ve been too lazy to make it fun to listen to.