That’s my plan, TX-6 has a very decent MIDI implementation indeed. I only miss the clock start/stop, its beat detection is amazing and i’d love to trigger that remotely to let my devices sync along with a DJ set.
I tried mine with a Faderfox (that I no longer have) and that worked very well. I just received the Electra One which I hope will be the ideal control surface allowing me to expose the relevant TX-6 features combined with whatever synth or module I’m working with.
Both TX-6 and Bluebox do MIDI over USB so you can connect it that way, I had an MX-12 and PC-12.
For the TX-6, you’ll want a USB hub that accepts USB-C power in. You can even control multiple MIDI controllers with a hub. Another option is something like this Kenton MIDI USB Host - TX-6 gets MIDI & power via its USB port, and you can send DIN MIDI to it via its input, while it sends the (beat synced) clock out via its MIDI out, to an Octatrack in my case.
probably a lot of fun if you purposely built your setup around it. but on the flipside it’s missing a ton of functionality for slotting into existing hardware setups
There does seem to be a few big gaps in the mixer market. I think a lot of people would be very interested in something like the TX-6 but 2 or even 3 times bigger, there’s very little out there with that size to functionality ratio.
i don’t even want to get in to how ridiculous my “mixing” setup is between my summing mixers, interface, my modular, and other hardware units
but i do enjoy the model 1.4 for mixing the elektrons- not much else i could ask for in terms of functionality/sound quality. It’s very close to being perfect for me (although i wish i had a 32 channel version lol)
i have a tx-6… i mainly use it for capturing audio into iOS, i’ve used it a few times with all the inputs occupied and the sound quality is fantastic, i have pretty small/narrow hands and it’s still a challenge. Can’t imagine being someone with bigger/stubbier hands being able to use this thing at all. Even the buttons can be a bit challenging to press
This looks wonderful!
Very tidy for a lot of gear.
Love seeing the MKII trinity with the TX-6, you’re tempting me.
Definitely interested to see if Elektron releases another full size device to match the RYTM/A4 MKIIs
My favorite kind of rig, DJ/Production hybrid.
I would definitely have the exact same rig if I let myself by more gear.
Except for the Roland
Sorry for the off-topic post, but every time I see a setup with D2’s I go down a rabbit hole. Can you give a few bits as to how you’re using them in your setup? Remix decks, etc?
Yeah I’m interested as well.
They are inviting indeed.
Would love a couple but still have an analog mixer.
I really like Traktors controller/midi implementation.
Their midi prefs have been very progressive vs and daw and most other things.
Thanks guys. I had the PX5 prior which was black and looked better I thought so when I got the 96 I just need to sticker it. Edit: it’s this skin.
I still have the most fun playing records. Each D2 has two decks, which gives me a total of 4 digital and 2 analog decks, allowing me to work any combo of 2 oldschool vinyl, 2 DVS and 2 regular controller decks with cues etc. And with the screens on the D2s I can select tracks in Traktor without ever having to look at the computer screen, kind of a DAWless experience, but with the flexibility of a full digital library to complement my record collection. And this way I was able to convince my inner accountant to spend the money saved by skipping CDJs on Elektron gear.
I’ve dabbled a bit with stems and remix decks but don’t use em much. For live remixing, I’m having a lot of fun figuring out how to use EZbot performance Octatrack template for DJ-ing, blending in acid basslines and Rytm beats that stay in sync thanks to the awesome TX-6 beat detection.
I got a Bluebox and a Faderfox controller for it. It worked fine but did not feel very “playable” to me even with the Faderfox. It’s good if you set and forget it.
I hope the alternative outcome of this thread is that one of us starts a new mixer company called
VOID, and creates us all some new and interesting mixers. I could go for a VOID 16 about now.