The Guitar Thread

My new Attack Decay pedal showed up yesterday. My first impressions are really positive. It sounds really good and there are so many things you can do with it (24-page manual!). I explored the looping envelope mode for the bonus tremolo, which someone on another forum compared to the Vox Repeat Percussion tremolo.

Apparently the Electric Prunes used the Vox Repeater. It sounds really cool, so excited to explore the possibilities.

Also, with the AD you can change the start and end envelope shapes, and even set up an expression pedal to control stuff like the wet/dry mix or the speed of the tremolo. I will almost certainly be using one of the three favorite spots as a trem sound. Also, if you switch to poly when you have the looping envelopes on, it can do a really unique, spaced out, almost Middle Eastern sound. It reminds me of something that band Glass Beams could use.

The digital fuzz is also surprisingly useable on its own. I read somewhere that it’s an original fuzz sound, not a copy of something. EH said in a post somewhere that it’s closer to a Fuzz Face than a Big Muff, but I think it sits somewhere between the two. It can get insanely over the top, but also be tamed down to almost overdrive territory. Definitely not bad for a ā€œbonusā€ fuzz, and I’m interested to try out the filter sweeps on it with the expression pedal. My first impression is quite positive and I don’t bond well with many fuzz pedals.

Another bonus feature I have found a use for is that when the pedal is engaged but nothing else is on, the blend knob mixes between your dry signal and a compressor (the compressor can also be turned off if you don’t like it). It’s just a one knob thing and certainly not the best compressor out there, but I was able to find some applications for it already. You can control multiple parameters with an expression pedal, so you could use that to blend between dry and compressed sound, or even set up the AD as a regular volume pedal or volume pedal with a boost.

Anyway, that’s as far as I got with it so far, but it’s a deep and versatile pedal for sure. I think I’m going to enjoy exploring all the psychedelic sound possibilities with it. It will probably be a year before I get around to exploring what’s possible with that effects loop (I was thinking some kind of feedback pedal in there might be wild). :exploding_head:

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It’s a great pedal and mine arrived on Monday and I’ve been playing loads with it to see what sounds I can get out of it.

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I’ve got a Dr Scientist Dusk filter pedal after it and it’s really great for taming some of the highs from poly mode and the fuzz as well. With control over attack, decay, and a resonant filter on my board it feels almost like a synth rig. Haha.

Really digging this thing so far! Given all it can do it feels like a bargain considering pedal prices these days.

I have a feeling the expression pedal is where the magic happens with this one.

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I know there’s really no right or wrong when looking for tone but sending a guitar amp pedal that has MIC’d cab emulation through a preamp would essentially the same in the studio right?

I have the simplifier running into my Neve clone and it sounds fantastic! Added some reverb on the insert and wow!!!

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I think you’re mostly lowering the noise floor of the simplifier because you don’t have to run the gain as hot to get a good level and the preamp after the cab emulation might smooth out the edges a bit, depending on what’s going on inside of it. I’m not really familiar with the inner workings of a neve preamp but I can only imagine it adds warmth. Sounds like a cool setup! Is that with the strat?

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Strat all the way! Only electric I own now.

Got a stellar offer on the SG I couldn’t pass up. Plus I’m weird! Only one of each when it comes to guitars! Otherwise, I’d easily get out of hand quick!

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Updated my gig board with an MXR Rockman X-100 and an Asheville Music Tools ADG-1 analog delay.

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The Attack Decay pedal just keeps on surprising. I didn’t have a compressor on my board and the one in the AD is surprisingly nice. You don’t have any controls, but the blend knob goes between fully uncompressed on the left and full compressed on the right (no idea of the compression ratio), which I guess would make it parallel compression.

I have a coil tap on my old Yamaha guitar and while I have always found the split coils a good option for heavy gain, they always felt a bit too thin for clean sounds. With the AD blend and volume at 11 o’clock, I get a really full sound out of the pickups with enough bite to be really satisfying with stuff like tremolo picking without completely killing the dynamics. It also makes the guitar so easy to play it feels like a cheat code.

I emailed EHX and they said that it’s a model of a simple VCA compressor based on the compressor in the original pedal.

What I’ve found is that understanding how the compressor interacts with the master volume knob (which is after the compressor) is also key to dialing in good fuzz sounds (and also good clean sounds).

So basically the AD is now almost always on.

(Although it’s now making me want to explore compressors more. I’ve mostly just used dynacomp style compressors.)

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Steve Vai doing his own pedalboard rundown for the fans.

He’s got both an SY-1000 and a GM-800 for his synth tones.

lol

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@shigginpit
I was just there yesterday. :slight_smile:

I’ve been really tempted a couple of times by the old 8-track tape echo machine they have. I forget the name. Anyone have one of those?

Ah, this is the one.

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Damn, that has a crazy vibe to it. Have you played through it or is it behind an inch of glass?

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I haven’t played it yet, but they would set it up for me if I asked. I bought a pedal yesterday and they let me spend up to 30 minutes in a soundproof room filled with a bunch of different amps. I’m tempted to swing back by there today after work and try it.

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Been a while since I played in something other than the guitar center sound room which is basically a room where sound gets in and out very easily hence the name sound room? I guess. It’s probably something you should stay away from unless your will power is better than mine.

Pretty awesome little try out station though, really got enough specific flavors out of those amps that it’s going to be pretty close to what someone already plays. All they need is a boutique combo to round it out I guess.

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really jonesing for a few V pointy guitars like the Dave Mustaine Gibson Flying V and the ESP custom Alexi guitar.

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About once every 6 months I start researching Jackson Rhoads and get very close to buying one. The Alexis are also excellent but I am trying to slim down my collection, not buy more…

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same here need to sell off some guitars and maybe then get another V.

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I’m just not used to that volume, lol. I go to the absolute lowest setting I can to try to get an idea of what it will be like for me at home. :grimacing:

Really fun though. I need to start going to the practice studios they have over here as playing through a big tube amp is great stress relief after work.

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I stumbled across this today:

I like the idea of it for a home setup. You can have any rig you want as long as it fits in this cabinet.

Anyone have or built something similar to keep their guitar mess in check?

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I got a cheap cubbyhole / cube storage that fits in my closet that is about 5’ tall and has six spots to organize gear. Got some cheap plastic storage tubs and a roll of blue tape / sharpie to label.

If you think the workstation is good for your setup, go for it. I would also suggest doing an Etsy search. Look for solid wood. The following link is more for amp / pedal storage, but I got the black danish amp stand and I think the quality is amazing.

https://www.etsy.com/shop/LakefrontWoodCo?ref=shop-header-name&listing_id=1715963486&from_page=listing&page=1#items

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