#1 AR mk1
#2 Monomachine mk2 (no +drive)
#3 Machinedrum mk2 UW (no +drive)
#4 A4 mk1
#? Perhaps adding an Octatrack (used mk1? new mk2?) soon to the list (to share the place with the AR mk1!)
AR is the one that I’ll never sell.
Completely in love with the output of this machine.
Scenes, performances, mutes, distortion and compressor, dual VCO, sample layers… a live performance horse.
Perfect for my needs.
Monomachine is my modular in a box, it leads me often to the unexpected results starting from 0.
The synthesis structure is so different than standard subtractive controls that I’m less biased when using it.
Each control have some “magic sweet spots” that lead to sound changes also with +/- 1
change.
Dunno what’s inside that DSP code, brilliant machine!
Machinedrum was the last that I added to the setup, I still need to spend more time with it, but it’s already coming into the same Monomachine territory.
If only the MD and MNM had the newer machines sequencer features… (Yep, currently building the Mega Command for the MD )
A4 at last position because what I get from it, in terms of unexpected, is less than the Monomachine.
It is perfect when I want standard 303ish, basslines, dubby chords, and so on, but I don’t know, perhaps is the standard analog subtractive synthesis paradigm that doesn’t lead me not that far like with the Monomachine.
Probably I need to spend more time and experiment with it.