Thanks!
T1 - CR78 kick with compressor and a touch of recrifier drive
T3 - Lindrum maraca with an lfo on source start
T4 - Grainer on a dub chord with an lfo on filter frequency + degrader and daisy delay
T5 - 808 kick used as bass
T6 - Stab with lfos on filter freq and type, bit of chorus
T7 - Chord with lfos on filter freq and type, comb filter with modulated fdbk
T8 - Simple stab with modulation on filter fq, sample start, filter type, srr
T6-7 both sent to bus1 with a fully wet delay and a touch of reverb.
Send1 bypassed to have track 6-7 dry signal sent to main mix
Send2 daisy delay
Send3 supervoid reverb
I made a quick recording with tracks in isolation
Kick+bass
Maraca
Maraca+Bass+Kick
Track4
Track6
Track7
Track8
Track4+6+7+8
All tracks
As said, that’s pretty basic and going deeper on modulation/plocks you can make more evolving and interesting stuff, I just wanted to make some quick noise to jam a bit. Ideally I’d use a multisampled instrument or a separate synth to move a bit more the chords/stabs and fine tuning with more depth all the delay lines adding conditionals/modulation to make them less predictable.
The thing that opened up a bit TV for me regarding Dub was to use a bypassed send to have a dry track and routing it into a fully wet bus. That way you can add e second fx after the delay to impact only the repeats, while keeping the original sound. I tried a similar thing using cables to reroute stuff out and in again on another track/bus, but the bypassed send trick that I learned in this Joggin House video is definitely more practical.