Sylphyo wind synth and controller

I just went for a Sylphyo shortly after finding out about it. I’m surprised there’s not already a thread because it’s been around over a year. As a longtime player of wind controllers, I snapped this up to give it a try mostly because of its light weight, portability, and wirelessness. Even if I end up tiring of the onboard sounds, I got it primarily to use with SWAM instruments, which I really like. My issue with other wind controllers has always been that, even though they respond well to tonguing and breath control, the weight + standard playing positions make them too fatiguing to play without doing odd things to compensate for that to avoid repetitive stress injuries. We’ll see how it goes with this one, but I’m optimistic, or else I wouldn’t have gotten this expensive instrument.

Oh yeah, another problem with wind controlrs is that breath condensation starts dripping all over everything. There’s no way around that, and it can be a real pain when playing near other equipment. If the light weight frees up the playing position or allows attaching something to sponge up the water, that will help a lot, otherwise I might not get as much use out of the thing as I hope.

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I had one for a time. Playability was great. Lightweight. Easy to blow. Some really interesting features.

There’s not an easy way to clean the air tube, so expect condensation and possibly mold to build up.

I ultimately sold mine as it felt (the instrument itself) more toyish than a pro-level instrument.

Another factor that led me to try it is the Photon mouthpiece, which will drop fairly soon and is fitted for the Sylphyo. That mouthpiece is pretty impressive, with several modes of modulation, including vocalization. The setup is reminiscent of my SOMA The Pipe.

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I’ve received mine, and:

I totally agree. The setup options are far superior to any wind controller I’ve ever played. Totally modern, especially the user interface that makes it so easy and convenient to adjust. The problem with Akai and Yamaha (and probably Roland’s Aerophone), I guess, is that the market is too narrow for them to update the hardware. I loved my Yamaha WX-5, and it’s still a quality instrument, but it’s never been updated. This Sylphyo’s touch-sensitive controls and onboard screen are really nice. I do wish it could be made even lighter to reduce thumb fatigue, but this is the first wind controller I’ve used that doesn’t require a neck strap.

I don’t see mold as very likely, particularly if you’re blowing through the thing daily. You never inhale, in any case. They should sell an accessory that lets you slide an absorbent material in one end and out the other. It would be easy to do it myself, but the hole in the bell is really small, and I’ve covered it with tape to get more efficient breath response. I imagine I could pop off the mouthpiece, attach some fabric to a low diameter wooden dowel, and swab the inside easily enough.

This leads me to my standard complaint about condensation with wind controllers: after you play for a while, they start dribbling non-stop, which is an issue in my playing space. Just to let non-wind players know: it’s water condensed from your breath, not saliva. It’s not disgusting, it’s just that water starts dripping where you really don’t want it. I wish these Sylphyo makers had thought of that, too, and provided some sort of detachable enclosed water collector with at least a 30-minute reservoir. In the past, I’ve jury-rigged things, but talk about un-professional looking.

The simple design and non-flashy materials do look toyish, but everything is functional. My Roland Aerophone has cosmetic appointments that do give it a more professional look, but quite frankly a lightweight wind controller is going to look toyish. It’s a matter of the things that you control with the controller that enable you to feel you have a serious instrument in your hands. A plain tube can work quite well to control modular CV, for example. My Akai EWI-5000 felt like a serious chunk of hardware, but I had a very low tolerance for those onboard synthesized sounds. It was wireless, but with a more cumbersome setup than this Sylphyo, and it was also much heavier. My Aerophone doesn’t make me feel like a fool to play it in front of people, but only when I use the muted trumpet and the multi-sax. Everything else is a toy, but trumpet and sax are enough. The Aerophone, though, doesn’t interface well with external gear. The test with this Sylphyo will be how well it interfaces with SWAM, and it does say it’s built for that. In my limited tests, I’m not recoiling from its onboard sounds, but based on experience, I expect it’s just a matter of time. Oh yeah, I expect it will also work well with the classic Yamaha VL-70m, which I had for years.

Time will tell how rugged the Sylphyo is, and at this price it better last decades. There are no moving parts, so, like the EWI-5000 I used to have, you don’t have to worry about keys breaking.

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The air tube in the Sylphyo is not straight. It crooks in several locations. Just a heads up.

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yeah. Maybe I’ll take it to a woodwind shop and see if they have some sort of absorbent material that’s attached to a flexy thing of some kind. Or a cloth that has a string with a tiny weight hanging from it so that you can thread it through one side then pull it all the way through and out from the other side.

It’s working pretty nicely with SWAM, by the way. I don’t think I’ll need to bother with another VL-70m.

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Here is one example of the Sylphyo in action.

https://www.facebook.com/680824256/posts/10159910313669257/

Another one, clarinet playing trumpet Balkan style.
I’m pretty impressed.

https://www.facebook.com/680824256/posts/10159915417674257/