Plus the cost of a Strymon Conduit for MIDI connectivity.
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I see this as a natural progression, but really no reason to sell my v1ās. Clock synced delays are overrated IMHO. Especially with a tape delay like the ElCap. Isnāt that supposed to be a bit wonky timing-wise? 
The nice thing about pedals is having to use your ears foremost!
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yeah as someone who owns five out of six of these pedals, this is a bit annoying. but Iām not running to sell my V1ās just to upgrade. the only thing Iād really like is the easier stereo and line level connection, but I worked out solutions to those years ago. I like that the secondary functions are more accessible, but Iād have to read the manuals to see if they donāt still have some (Iād imagine so, knowing Strymon). for my pedals, I just used a label-maker to notate the secondary functions and put the labels on the bottoms of the pedals.
bummer the price went up, but not surprising either.
I like synced delays with an arp or sequence, fun with monosynths.
The fun bit with midiād Strymons for me is recording your realtime knob moves from the pedal and being able to fine tune it later. Itās like having an extra set of hands for evolving sequences or drones.
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I would be careful expecting too much from its MIDI implementation: Could be that one can control only its parameters. Who knows whether the reverb could be clock synced?
BTW: IMO Source Audio offers MIDI controlled reverb and synced delay pedals for years, e.g. Nemesis Delay Nemesis Delay - Source Audio Website
For coveniant MIDI control I had to buy a Faderfox EC4 and because of MIDI via TRS as neccessary for some Strymon and Eventide pedals an additional Desaster Area MIDI Box 4. MIDI Box 4 ā Disaster Area Designs
Quite expensive stuff though.
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Yes I agree. Midi clocking is a must for me. I actually own the Nemesis already and the Ventris is high on the list of possible contenders for a reverb
Ventris at $399 USD is looking like a good price now
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You might find that the Nightsky has a lot more to offer
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Is there any chance the new deco doesnāt sound as good as the og? Itās likely better overall, Iād imagine?
The new DECO has the old algorithm and a new one. I suspect the new DSP platform is transparent (the old one was already 32bits floating point processing, so maybe thereās more power or maybe they unified things in a way that will let them make new pedals more easily but I donāt think the end user will be able to tell)
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This is interesting. Ive often found midi clock sync on pedals a bit of a let down as they dont have a way of setting divisions. But looks like the new DIG has that functionality.
The āremote tapā for delay tempo is what i use on my Volante. I have a template on my Force set up so i can select like half time or double time delays. Easy way to change things up.
Have a look at the Meris Mercury7. Pretty awesome stereo verb, great MIDI implementation, you can select line/instrument level. I think itās $299 new (in the US) and I prefer it over the Strymon ā of course, thatās subjective.
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On the expensive side : CXM 1978.
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I donāt need another reverb but I look at that everytime Iām on (unintentionally) reverb dot com. Such an amazing looking pedal and automatic sliders get me going.
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Better?
IMO HW or SW delays and reverbs are no rocket science any more.
So not better but rather a little bit different.
Albeit I wouldnāt expect that someone will hear the difference except the producer.
Edit: Iāve found that YT comparison. I donāt like it too much because for me it focusses too much on technical details.
Soundwise, I like V1 more because V2 sounds a little bit brighter / thinner to me.
Nevertheless I wonāt buy V1 or V2 because my NightSky is enough.
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The good news is, Iāve seen some of the big-box Strymons selling for under $350 recentlyā¦
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Keep in mind, chip shortages.
I saw the Rossum modules all went up $200-300 for just that reason 
And an amazing creative sounding Reverb.
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The Source Audio Ventris is worth looking at. Such a great Dual Reverb pedal.
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Is the Black series a miss after these releases?
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