I played around a bit, on how to play back mono-samples in stereo and do nice stereo tricks.
- Copy a track to a second one
- Pan first and second track hard left and hard right.
Now you can do some tricks with them to widen the stereo effect.
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Use microtriggers: Place samples on the first track 1/384 in front and samples on the second track 1/384 behind the beat.
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Detuning with LFOs: Place one LFO on the tuning, choose sine with a slow to moderate speed. On the first Track adjust the Depth to ā+0.20ā on the second track to ā-0.20ā
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Different Filter-Frequencies for left and right: When you use a lp-filter, change the filter frequency or the Envelope Depth to differerent states left and right. You can do this with sine LFOs just like before but with higher depth values or use parameter locks. Try softer attacks and delays for the filter envelope for each note to emulate a sawtooth like wave. When the filter frequency is higher on the right side, its lower on the left and vice versa.
These are just common techniques, but maybe you have others to share. The work best with pads and leads. Not so much on bass and percussion as stereo techniques smear transients.